The Shock of the NewKnopf, 1981 - 423 էջ A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
From inside the book
Արդյունքներ 37–ի 1-ից 3-ը:
Էջ 85
... meaning only through the interaction of all the other parts ; only in conjunction with them does it acquire the meaning with which the artist imbued it . A futurist picture lives a collective life , by the same principle on which the ...
... meaning only through the interaction of all the other parts ; only in conjunction with them does it acquire the meaning with which the artist imbued it . A futurist picture lives a collective life , by the same principle on which the ...
Էջ 93
... meaning " projects for affirming the new " ) , were like plans for imaginary cities , seen from above , as though Malevich's squares and oblongs had been rendered in three dimensions ( plate 57 ) . With their intersecting planes and ...
... meaning " projects for affirming the new " ) , were like plans for imaginary cities , seen from above , as though Malevich's squares and oblongs had been rendered in three dimensions ( plate 57 ) . With their intersecting planes and ...
Էջ 325
... meanings on their audience ; meaning emerges , adds up , unfolds from their imagined centres . A sign dictates meaning , a work of art takes one through the process of discovering meaning . In short , paintings educate but signs ...
... meanings on their audience ; meaning emerges , adds up , unfolds from their imagined centres . A sign dictates meaning , a work of art takes one through the process of discovering meaning . In short , paintings educate but signs ...
Common terms and phrases
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York