Time and the NovelP. Nevill, 1952 - 245 էջ |
From inside the book
Արդյունքներ 80–ի 1-ից 3-ը:
Էջ 133
... characters and readers back to earth by offering his own comments on the passage of time in his capacity as pseudo - author , or by allowing the characters themselves to comment on the strange effects of a varying duration . And on ...
... characters and readers back to earth by offering his own comments on the passage of time in his capacity as pseudo - author , or by allowing the characters themselves to comment on the strange effects of a varying duration . And on ...
Էջ 204
... characters are filled in ; they stand out stereoscopically , in perspective . The novelist now begins to take account of the motives that underlie action . He explains what the characters do by analysing why they do it . The motives are ...
... characters are filled in ; they stand out stereoscopically , in perspective . The novelist now begins to take account of the motives that underlie action . He explains what the characters do by analysing why they do it . The motives are ...
Էջ 224
... characters . Virginia Woolf's characters clearly retain their link with their creator , speak with her idiom and think in her manner . Where she enters as author into her novels , it is not felt as an intrusion ; she belongs there of ...
... characters . Virginia Woolf's characters clearly retain their link with their creator , speak with her idiom and think in her manner . Where she enters as author into her novels , it is not felt as an intrusion ; she belongs there of ...
Բովանդակություն
The time and the space arts | 3 |
The time problems of fiction | 30 |
Fiction and the other arts | 53 |
Հեղինակային իրավունք | |
11 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action artistic behaviour causality century characters chronological duration clock consciousness contemporary conventions convey critics Dalloway device digressions Dorothy Richardson dramatic effect element epic episodes experience exposition expression feeling fictive present Ford Madox Ford Gertrude Stein Gide give happened Henry James hero historical human illusion imagination impression incident interest Joseph Conrad language limited literature living matter medium method mind narration narrative nature novelist omniscient author Orlando painting passage past pattern person novel plane play plot plot novel poetry Preface principle problems progression Proust psychological duration qu'il reader reading reality relation Richardson romances scene selection sense sequence significance simultaneously Sterne story structure suspense symbols technique temporal tense theme theory thing Thomas Mann thought time-arts time-shift tion Tom Jones Tristram Shandy truth Uncle Toby values Virginia Woolf Walter Shandy whole words writer Writer's present Wyndham Lewis