Literary Criticism; an Introductory ReaderLionel Trilling Holt, Rinehart, and Winston, 1970 - 629 էջ |
From inside the book
Արդյունքներ 80–ի 1-ից 3-ը:
Էջ 58
... action and of life , and life consists in action , and its end is a mode of action , not a quality . Now character determines men's qualities , but it is by their actions that they are happy or the reverse . Dramatic action , therefore ...
... action and of life , and life consists in action , and its end is a mode of action , not a quality . Now character determines men's qualities , but it is by their actions that they are happy or the reverse . Dramatic action , therefore ...
Էջ 61
... action , but of events inspiring fear or pity . Such an effect is best produced when the events come on us by ... action which is one and continuous in the sense above defined , I call Simple , when the change of fortune takes place ...
... action , but of events inspiring fear or pity . Such an effect is best produced when the events come on us by ... action which is one and continuous in the sense above defined , I call Simple , when the change of fortune takes place ...
Էջ 92
... action of theirs . This condemns all Shakespeare's historical plays , which are rather chronicles represented than tragedies , and all double action of plays . As to avoid a satire upon others , I will make bold with my own Marriage a ...
... action of theirs . This condemns all Shakespeare's historical plays , which are rather chronicles represented than tragedies , and all double action of plays . As to avoid a satire upon others , I will make bold with my own Marriage a ...
Բովանդակություն
What Is Criticism? | 1 |
Ion | 29 |
The Republic Book X | 40 |
Հեղինակային իրավունք | |
39 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action admiration Aeschylus aesthetic appears Aristotle artist Balzac beauty become better Byron called century character Comedy conception consciousness culture D. H. Lawrence dramatic effect Eliot emotion English epic Epic poetry essay Euripides existence experience expression F. R. Leavis fact feeling fiction French genius give Greek Homer human I. A. Richards ideas Iliad images imagination imitation intellectual interpretation judgment kind King Lear language less literary criticism literature Matthew Arnold means metre mind modern moral myth nature never novel object Odysseus Paradise Lost passions perhaps person philosophical Plato play pleasure plot poem poet poet's poetic poetry present produced prose reader reality reason relation sense Shakespeare social Sophocles soul speak spirit story style T. S. Eliot theory things thought tion tragedy true truth University verse whole words Wordsworth writing