Literary Criticism; an Introductory ReaderLionel Trilling Holt, Rinehart, and Winston, 1970 - 629 էջ |
From inside the book
Արդյունքներ 81–ի 1-ից 3-ը:
Էջ 43
... appear ? you have still to determine this . What do you mean ? I mean to ask whether a bed really becomes different when it is seen from different points of view , obliquely or directly or from or directly or from any other point of ...
... appear ? you have still to determine this . What do you mean ? I mean to ask whether a bed really becomes different when it is seen from different points of view , obliquely or directly or from or directly or from any other point of ...
Էջ 47
... appears to be good to the ignorant multitude ? Just so . Thus far then we are pretty well agreed that the imitator has ... appear straight when looked at out of the water , and crooked when in the water ; and the concave becomes convex ...
... appears to be good to the ignorant multitude ? Just so . Thus far then we are pretty well agreed that the imitator has ... appear straight when looked at out of the water , and crooked when in the water ; and the concave becomes convex ...
Էջ 506
... appears , is a sign that the work is achieved . It is therefore fitting to examine it in the light of the preceding ... appear to itself as pure autonomy but as creative activity , that is , it is not limited to giving itself its own ...
... appears , is a sign that the work is achieved . It is therefore fitting to examine it in the light of the preceding ... appear to itself as pure autonomy but as creative activity , that is , it is not limited to giving itself its own ...
Բովանդակություն
What Is Criticism? | 1 |
Ion | 29 |
The Republic Book X | 40 |
Հեղինակային իրավունք | |
39 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action admiration Aeschylus aesthetic appears Aristotle artist Balzac beauty become better Byron called century character Comedy conception consciousness culture D. H. Lawrence dramatic effect Eliot emotion English epic Epic poetry essay Euripides existence experience expression F. R. Leavis fact feeling fiction French genius give Greek Homer human I. A. Richards ideas Iliad images imagination imitation intellectual interpretation judgment kind King Lear language less literary criticism literature Matthew Arnold means metre mind modern moral myth nature never novel object Odysseus Paradise Lost passions perhaps person philosophical Plato play pleasure plot poem poet poet's poetic poetry present produced prose reader reality reason relation sense Shakespeare social Sophocles soul speak spirit story style T. S. Eliot theory things thought tion tragedy true truth University verse whole words Wordsworth writing