Literary Criticism; an Introductory ReaderLionel Trilling Holt, Rinehart, and Winston, 1970 - 629 էջ |
From inside the book
Արդյունքներ 81–ի 1-ից 3-ը:
Էջ 28
... criticism of literature . I put the matter in this way because it is impossible not to be aware of the opinion- it never prevails but neither does it ever wholly die - that criticism is of its nature essentially alien to the art which ...
... criticism of literature . I put the matter in this way because it is impossible not to be aware of the opinion- it never prevails but neither does it ever wholly die - that criticism is of its nature essentially alien to the art which ...
Էջ 341
... Criticism ( 1924 ) ; Science and Poetry ( 1925 ) ; and Practical Criticism ( 1929 ) —not only laid the theoretical foundations for what came to be called New Criticism , but also generated the principles of the revolu- tion in the ...
... Criticism ( 1924 ) ; Science and Poetry ( 1925 ) ; and Practical Criticism ( 1929 ) —not only laid the theoretical foundations for what came to be called New Criticism , but also generated the principles of the revolu- tion in the ...
Էջ 428
... criticism merely the report of a quarrel between the imagined life of the work and his own " philosophy ” ? Has possession of the critic by a severe theory of knowledge interfered with the primary office of criticism ? What is the ...
... criticism merely the report of a quarrel between the imagined life of the work and his own " philosophy ” ? Has possession of the critic by a severe theory of knowledge interfered with the primary office of criticism ? What is the ...
Բովանդակություն
What Is Criticism? | 1 |
Ion | 29 |
The Republic Book X | 40 |
Հեղինակային իրավունք | |
39 այլ բաժինները չեն ցուցադրվում
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action admiration Aeschylus aesthetic appears Aristotle artist Balzac beauty become better Byron called century character Comedy conception consciousness culture D. H. Lawrence dramatic effect Eliot emotion English epic Epic poetry essay Euripides existence experience expression F. R. Leavis fact feeling fiction French genius give Greek Homer human I. A. Richards ideas Iliad images imagination imitation intellectual interpretation judgment kind King Lear language less literary criticism literature Matthew Arnold means metre mind modern moral myth nature never novel object Odysseus Paradise Lost passions perhaps person philosophical Plato play pleasure plot poem poet poet's poetic poetry present produced prose reader reality reason relation sense Shakespeare social Sophocles soul speak spirit story style T. S. Eliot theory things thought tion tragedy true truth University verse whole words Wordsworth writing