Literary Criticism; an Introductory ReaderLionel Trilling Holt, Rinehart, and Winston, 1970 - 629 էջ |
From inside the book
Արդյունքներ 76–ի 1-ից 3-ը:
Էջ 19
... elements and as being appropriate to them all . The perception of the appropriateness to each other of all the elements finds expression in a quasi - aesthetic judgment , that among the elements there is a continuity of style . The same ...
... elements and as being appropriate to them all . The perception of the appropriateness to each other of all the elements finds expression in a quasi - aesthetic judgment , that among the elements there is a continuity of style . The same ...
Էջ 58
... elements have been employed , we may say , by the poets to a man ; in fact , every play contains Spectacular elements as well as Character , Plot , Dic- tion , Song , and Thought . But most important of all is the structure of the ...
... elements have been employed , we may say , by the poets to a man ; in fact , every play contains Spectacular elements as well as Character , Plot , Dic- tion , Song , and Thought . But most important of all is the structure of the ...
Էջ 192
... elements of earthly life , but with the elements of its own creation , and with materials flexible to its own purest preconceptions . It is certain that , were it not for the Literature of Power , these ideals would often remain amongst ...
... elements of earthly life , but with the elements of its own creation , and with materials flexible to its own purest preconceptions . It is certain that , were it not for the Literature of Power , these ideals would often remain amongst ...
Բովանդակություն
What Is Criticism? | 1 |
Ion | 29 |
The Republic Book X | 40 |
Հեղինակային իրավունք | |
39 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action admiration Aeschylus aesthetic appears Aristotle artist Balzac beauty become better Byron called century character Comedy conception consciousness culture D. H. Lawrence dramatic effect Eliot emotion English epic Epic poetry essay Euripides existence experience expression F. R. Leavis fact feeling fiction French genius give Greek Homer human I. A. Richards ideas Iliad images imagination imitation intellectual interpretation judgment kind King Lear language less literary criticism literature Matthew Arnold means metre mind modern moral myth nature never novel object Odysseus Paradise Lost passions perhaps person philosophical Plato play pleasure plot poem poet poet's poetic poetry present produced prose reader reality reason relation sense Shakespeare social Sophocles soul speak spirit story style T. S. Eliot theory things thought tion tragedy true truth University verse whole words Wordsworth writing