Literary Criticism; an Introductory ReaderLionel Trilling Holt, Rinehart, and Winston, 1970 - 629 էջ |
From inside the book
Արդյունքներ 86–ի 1-ից 3-ը:
Էջ 539
... ideas , " or rather ideas in literature , in the context both of ideas in philosophy and of ideas in the history of ideas ; and in doing so I want to lay the final emphasis on the distinctively literary characteristics and functions of ...
... ideas , " or rather ideas in literature , in the context both of ideas in philosophy and of ideas in the history of ideas ; and in doing so I want to lay the final emphasis on the distinctively literary characteristics and functions of ...
Էջ 542
... ideas , should we encounter them , as we easily might , in works of literary art . In themselves , in short - and this is true of all ideas when isolated as unit - conceptions - they are only materials or devices and hence only ...
... ideas , should we encounter them , as we easily might , in works of literary art . In themselves , in short - and this is true of all ideas when isolated as unit - conceptions - they are only materials or devices and hence only ...
Էջ 545
... ideas not only in the history of ideas but in philosophy and literature . I shall leave ideas in philosophy , for the most part , to better hands , but it is necessary to say one or two things , and , in the first place , to point out ...
... ideas not only in the history of ideas but in philosophy and literature . I shall leave ideas in philosophy , for the most part , to better hands , but it is necessary to say one or two things , and , in the first place , to point out ...
Բովանդակություն
What Is Criticism? | 1 |
Ion | 29 |
The Republic Book X | 40 |
Հեղինակային իրավունք | |
39 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action admiration Aeschylus aesthetic appears Aristotle artist Balzac beauty become better Byron called century character Comedy conception consciousness culture D. H. Lawrence dramatic effect Eliot emotion English epic Epic poetry essay Euripides existence experience expression F. R. Leavis fact feeling fiction French genius give Greek Homer human I. A. Richards ideas Iliad images imagination imitation intellectual interpretation judgment kind King Lear language less literary criticism literature Matthew Arnold means metre mind modern moral myth nature never novel object Odysseus Paradise Lost passions perhaps person philosophical Plato play pleasure plot poem poet poet's poetic poetry present produced prose reader reality reason relation sense Shakespeare social Sophocles soul speak spirit story style T. S. Eliot theory things thought tion tragedy true truth University verse whole words Wordsworth writing