Literary Criticism; an Introductory ReaderLionel Trilling Holt, Rinehart, and Winston, 1970 - 629 էջ |
From inside the book
Արդյունքներ 87–ի 1-ից 3-ը:
Էջ 36
... knowledge were the same , there would be no meaning in saying that the arts were different , -since they both gave the same knowledge . For example , I know that here are five fingers , and you know the same . And if I were to ask ...
... knowledge were the same , there would be no meaning in saying that the arts were different , -since they both gave the same knowledge . For example , I know that here are five fingers , and you know the same . And if I were to ask ...
Էջ 150
... knowledge is connected , he feels that his knowledge is pleasure ; and where he has no pleasure he has no knowledge . What then does the Poet ? He considers man and the objects that surround him as acting and re - acting upon each other ...
... knowledge is connected , he feels that his knowledge is pleasure ; and where he has no pleasure he has no knowledge . What then does the Poet ? He considers man and the objects that surround him as acting and re - acting upon each other ...
Էջ 395
Lionel Trilling. knowledge and historical knowledge . Since poetic knowledge is made available through poetic form , the attempt to assimilate poetic knowledge too directly and abruptly to other kinds of knowledge has its risks . We lose ...
Lionel Trilling. knowledge and historical knowledge . Since poetic knowledge is made available through poetic form , the attempt to assimilate poetic knowledge too directly and abruptly to other kinds of knowledge has its risks . We lose ...
Բովանդակություն
What Is Criticism? | 1 |
Ion | 29 |
The Republic Book X | 40 |
Հեղինակային իրավունք | |
39 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action admiration Aeschylus aesthetic appears Aristotle artist Balzac beauty become better Byron called century character Comedy conception consciousness culture D. H. Lawrence dramatic effect Eliot emotion English epic Epic poetry essay Euripides existence experience expression F. R. Leavis fact feeling fiction French genius give Greek Homer human I. A. Richards ideas Iliad images imagination imitation intellectual interpretation judgment kind King Lear language less literary criticism literature Matthew Arnold means metre mind modern moral myth nature never novel object Odysseus Paradise Lost passions perhaps person philosophical Plato play pleasure plot poem poet poet's poetic poetry present produced prose reader reality reason relation sense Shakespeare social Sophocles soul speak spirit story style T. S. Eliot theory things thought tion tragedy true truth University verse whole words Wordsworth writing