Literary Criticism; an Introductory ReaderLionel Trilling Holt, Rinehart, and Winston, 1970 - 629 էջ |
From inside the book
Արդյունքներ 93–ի 1-ից 3-ը:
Էջ 147
... language of these lines does in no respect differ from that of prose . By the foregoing quotation it has been shown that the language of Prose may yet be well adapted to Poetry ; and it was previously asserted , that a large portion of ...
... language of these lines does in no respect differ from that of prose . By the foregoing quotation it has been shown that the language of Prose may yet be well adapted to Poetry ; and it was previously asserted , that a large portion of ...
Էջ 158
... language of men in any situation . The Reader or Hearer of this distorted language found himself in a perturbed and unusual state of mind : when affected by the genuine language of passion he had been in a perturbed and unusual state of ...
... language of men in any situation . The Reader or Hearer of this distorted language found himself in a perturbed and unusual state of mind : when affected by the genuine language of passion he had been in a perturbed and unusual state of ...
Էջ 180
... language " ( meaning , as before , the language of rustic life purified from provincialism ) " arising out of repeated experience and regular feelings , is a more permanent , and a far more philosophical language , than that which is ...
... language " ( meaning , as before , the language of rustic life purified from provincialism ) " arising out of repeated experience and regular feelings , is a more permanent , and a far more philosophical language , than that which is ...
Բովանդակություն
What Is Criticism? | 1 |
Ion | 29 |
The Republic Book X | 40 |
Հեղինակային իրավունք | |
39 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action admiration Aeschylus aesthetic appears Aristotle artist Balzac beauty become better Byron called century character Comedy conception consciousness culture D. H. Lawrence dramatic effect Eliot emotion English epic Epic poetry essay Euripides existence experience expression F. R. Leavis fact feeling fiction French genius give Greek Homer human I. A. Richards ideas Iliad images imagination imitation intellectual interpretation judgment kind King Lear language less literary criticism literature Matthew Arnold means metre mind modern moral myth nature never novel object Odysseus Paradise Lost passions perhaps person philosophical Plato play pleasure plot poem poet poet's poetic poetry present produced prose reader reality reason relation sense Shakespeare social Sophocles soul speak spirit story style T. S. Eliot theory things thought tion tragedy true truth University verse whole words Wordsworth writing