Literary Criticism; an Introductory ReaderLionel Trilling Holt, Rinehart, and Winston, 1970 - 629 էջ |
From inside the book
Արդյունքներ 55–ի 1-ից 3-ը:
Էջ 55
... living and moving before us . These , then , as we said at the beginning , are the three differences which distinguish artistic imitation , -the medium , the objects , and the manner . So that from one point of view , Sophocles is an ...
... living and moving before us . These , then , as we said at the beginning , are the three differences which distinguish artistic imitation , -the medium , the objects , and the manner . So that from one point of view , Sophocles is an ...
Էջ 212
... living existence . We must get hold of this existence , en- deavour to re - create it . It is a mistake to study the document , as if it were isolated . This were to treat things like a simple scholar , to fall into the error of the ...
... living existence . We must get hold of this existence , en- deavour to re - create it . It is a mistake to study the document , as if it were isolated . This were to treat things like a simple scholar , to fall into the error of the ...
Էջ 516
... living is implicit , with its habits and standards of serious moral valuation . This then is what the literary critic has to deduce from his reading . If he finds that others , interested primarily in social reform and social history ...
... living is implicit , with its habits and standards of serious moral valuation . This then is what the literary critic has to deduce from his reading . If he finds that others , interested primarily in social reform and social history ...
Բովանդակություն
What Is Criticism? | 1 |
Ion | 29 |
The Republic Book X | 40 |
Հեղինակային իրավունք | |
39 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action admiration Aeschylus aesthetic appears Aristotle artist Balzac beauty become better Byron called century character Comedy conception consciousness culture D. H. Lawrence dramatic effect Eliot emotion English epic Epic poetry essay Euripides existence experience expression F. R. Leavis fact feeling fiction French genius give Greek Homer human I. A. Richards ideas Iliad images imagination imitation intellectual interpretation judgment kind King Lear language less literary criticism literature Matthew Arnold means metre mind modern moral myth nature never novel object Odysseus Paradise Lost passions perhaps person philosophical Plato play pleasure plot poem poet poet's poetic poetry present produced prose reader reality reason relation sense Shakespeare social Sophocles soul speak spirit story style T. S. Eliot theory things thought tion tragedy true truth University verse whole words Wordsworth writing