Literary Criticism; an Introductory ReaderLionel Trilling Holt, Rinehart, and Winston, 1970 - 629 էջ |
From inside the book
Արդյունքներ 85–ի 1-ից 3-ը:
Էջ 117
... matter . This , being necessary , was therefore defensible ; and he should have secured the consistency of his system , by keeping immateriality out of sight , and enticing his reader to drop it from his thoughts . But he has unhappily ...
... matter . This , being necessary , was therefore defensible ; and he should have secured the consistency of his system , by keeping immateriality out of sight , and enticing his reader to drop it from his thoughts . But he has unhappily ...
Էջ 239
... matter and substance of the poetry , and they are in its manner and style . Both of these , the substance and matter on the one hand , the style and manner on the other , have a mark , an accent , of high beauty , worth , and power ...
... matter and substance of the poetry , and they are in its manner and style . Both of these , the substance and matter on the one hand , the style and manner on the other , have a mark , an accent , of high beauty , worth , and power ...
Էջ 281
... matter , for what we call decoration has often a new and genuinely poetic content of its own ; but wherever there is mere decoration , we judge the poetry to be not wholly poetic . And so when Wordsworth inveighed against poetic diction ...
... matter , for what we call decoration has often a new and genuinely poetic content of its own ; but wherever there is mere decoration , we judge the poetry to be not wholly poetic . And so when Wordsworth inveighed against poetic diction ...
Բովանդակություն
What Is Criticism? | 1 |
Ion | 29 |
The Republic Book X | 40 |
Հեղինակային իրավունք | |
39 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action admiration Aeschylus aesthetic appears Aristotle artist Balzac beauty become better Byron called century character Comedy conception consciousness culture D. H. Lawrence dramatic effect Eliot emotion English epic Epic poetry essay Euripides existence experience expression F. R. Leavis fact feeling fiction French genius give Greek Homer human I. A. Richards ideas Iliad images imagination imitation intellectual interpretation judgment kind King Lear language less literary criticism literature Matthew Arnold means metre mind modern moral myth nature never novel object Odysseus Paradise Lost passions perhaps person philosophical Plato play pleasure plot poem poet poet's poetic poetry present produced prose reader reality reason relation sense Shakespeare social Sophocles soul speak spirit story style T. S. Eliot theory things thought tion tragedy true truth University verse whole words Wordsworth writing