Literary Criticism; an Introductory ReaderLionel Trilling Holt, Rinehart, and Winston, 1970 - 629 էջ |
From inside the book
Արդյունքներ 89–ի 1-ից 3-ը:
Էջ 9
... poet somewhat in mind , chiefly in his willingness to submit his natural energies to the rational control of precept and tradition . As the eighteenth century ad- vanced , however , criticism became increasingly interested in the ...
... poet somewhat in mind , chiefly in his willingness to submit his natural energies to the rational control of precept and tradition . As the eighteenth century ad- vanced , however , criticism became increasingly interested in the ...
Էջ 54
... poetic imita- tions in iambic , elegiac , or any similar metre . People do , indeed , add the word " maker " or " poet " to the name of the metre , and speak of elegiac poets , or epic ( that is , hexameter ) poets , as if it were not ...
... poetic imita- tions in iambic , elegiac , or any similar metre . People do , indeed , add the word " maker " or " poet " to the name of the metre , and speak of elegiac poets , or epic ( that is , hexameter ) poets , as if it were not ...
Էջ 151
... Poet's thoughts are everywhere ; though the eyes and senses of man are , it is true , his favourite guides , yet he will follow wheresoever he can find an atmosphere of sensation in which to move his wings . Poetry is the first and last ...
... Poet's thoughts are everywhere ; though the eyes and senses of man are , it is true , his favourite guides , yet he will follow wheresoever he can find an atmosphere of sensation in which to move his wings . Poetry is the first and last ...
Բովանդակություն
What Is Criticism? | 1 |
Ion | 29 |
The Republic Book X | 40 |
Հեղինակային իրավունք | |
39 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action admiration Aeschylus aesthetic appears Aristotle artist Balzac beauty become better Byron called century character Comedy conception consciousness culture D. H. Lawrence dramatic effect Eliot emotion English epic Epic poetry essay Euripides existence experience expression F. R. Leavis fact feeling fiction French genius give Greek Homer human I. A. Richards ideas Iliad images imagination imitation intellectual interpretation judgment kind King Lear language less literary criticism literature Matthew Arnold means metre mind modern moral myth nature never novel object Odysseus Paradise Lost passions perhaps person philosophical Plato play pleasure plot poem poet poet's poetic poetry present produced prose reader reality reason relation sense Shakespeare social Sophocles soul speak spirit story style T. S. Eliot theory things thought tion tragedy true truth University verse whole words Wordsworth writing