Literary Criticism; an Introductory ReaderLionel Trilling Holt, Rinehart, and Winston, 1970 - 629 էջ |
From inside the book
Արդյունքներ 82–ի 1-ից 3-ը:
Էջ 60
... possible : but what has happened is manifestly possible : other- wise it would not have happened . Still there are even some tragedies in which there are only one or two well known names , the rest being fictitious . In others , none ...
... possible : but what has happened is manifestly possible : other- wise it would not have happened . Still there are even some tragedies in which there are only one or two well known names , the rest being fictitious . In others , none ...
Էջ 300
... possible number of words . I do not mean that he skimps paper , or that he screws about like Tacitus13 to get his thought crowded into the least possible space . But , granting that two sentences are at times easier to understand than ...
... possible number of words . I do not mean that he skimps paper , or that he screws about like Tacitus13 to get his thought crowded into the least possible space . But , granting that two sentences are at times easier to understand than ...
Էջ 570
... possible at one sitting . He is not to be parsed or queried but read and reread - provided pleasure accompanies the repetition . Not the analytic , but the synoptic view gives us the measure of his mind . And if we are asked to define ...
... possible at one sitting . He is not to be parsed or queried but read and reread - provided pleasure accompanies the repetition . Not the analytic , but the synoptic view gives us the measure of his mind . And if we are asked to define ...
Բովանդակություն
What Is Criticism? | 1 |
Ion | 29 |
The Republic Book X | 40 |
Հեղինակային իրավունք | |
39 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action admiration Aeschylus aesthetic appears Aristotle artist Balzac beauty become better Byron called century character Comedy conception consciousness culture D. H. Lawrence dramatic effect Eliot emotion English epic Epic poetry essay Euripides existence experience expression F. R. Leavis fact feeling fiction French genius give Greek Homer human I. A. Richards ideas Iliad images imagination imitation intellectual interpretation judgment kind King Lear language less literary criticism literature Matthew Arnold means metre mind modern moral myth nature never novel object Odysseus Paradise Lost passions perhaps person philosophical Plato play pleasure plot poem poet poet's poetic poetry present produced prose reader reality reason relation sense Shakespeare social Sophocles soul speak spirit story style T. S. Eliot theory things thought tion tragedy true truth University verse whole words Wordsworth writing