Literary Criticism; an Introductory ReaderLionel Trilling Holt, Rinehart, and Winston, 1970 - 629 էջ |
From inside the book
Արդյունքներ 54–ի 1-ից 3-ը:
Էջ 6
... reality , the real reality . And if the objects of sense that we habitually and unreflectively think of as real are in truth not real at all but copies or shadows of reality , then how much further removed from reality are art's ...
... reality , the real reality . And if the objects of sense that we habitually and unreflectively think of as real are in truth not real at all but copies or shadows of reality , then how much further removed from reality are art's ...
Էջ 478
... reality , the more it diverges from the accustomed , the average , the direct and immediate manner of reflecting this objective reality . Balzac's method transcends the narrow , habitual , accepted limits of this immediacy and because ...
... reality , the more it diverges from the accustomed , the average , the direct and immediate manner of reflecting this objective reality . Balzac's method transcends the narrow , habitual , accepted limits of this immediacy and because ...
Էջ 531
... reality " ; indeed they are in constant danger of losing their own reality , as very soon happened when interpretation reached such pro- portions that the real vanished . If the text of the Biblical narrative , then , is so greatly in ...
... reality " ; indeed they are in constant danger of losing their own reality , as very soon happened when interpretation reached such pro- portions that the real vanished . If the text of the Biblical narrative , then , is so greatly in ...
Բովանդակություն
What Is Criticism? | 1 |
Ion | 29 |
The Republic Book X | 40 |
Հեղինակային իրավունք | |
39 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action admiration Aeschylus aesthetic appears Aristotle artist Balzac beauty become better Byron called century character Comedy conception consciousness culture D. H. Lawrence dramatic effect Eliot emotion English epic Epic poetry essay Euripides existence experience expression F. R. Leavis fact feeling fiction French genius give Greek Homer human I. A. Richards ideas Iliad images imagination imitation intellectual interpretation judgment kind King Lear language less literary criticism literature Matthew Arnold means metre mind modern moral myth nature never novel object Odysseus Paradise Lost passions perhaps person philosophical Plato play pleasure plot poem poet poet's poetic poetry present produced prose reader reality reason relation sense Shakespeare social Sophocles soul speak spirit story style T. S. Eliot theory things thought tion tragedy true truth University verse whole words Wordsworth writing