Manuel Zapata Olivella and the "darkening" of Latin American LiteratureUniversity of Missouri Press, 2005 - 148 էջ |
From inside the book
Արդյունքներ 34–ի 1-ից 5-ը:
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... Chimá , and Chambacú The " Boom " in Colombian Violence , Hunger , Resistance , and Hope 45 Chapter IV Manuel Zapata Olivella The Postmodern Writer 70 Chapter V An Exploration of Postcolonial Tri - ethnicity in Levántate mulato , Las ...
... Chimá , and Chambacú The " Boom " in Colombian Violence , Hunger , Resistance , and Hope 45 Chapter IV Manuel Zapata Olivella The Postmodern Writer 70 Chapter V An Exploration of Postcolonial Tri - ethnicity in Levántate mulato , Las ...
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... Chimá nace un santo China 6:00 a.m. Las claves mágicas de América Hemingway, el cazador de la muerte He visto la noche Pasión vagabunda Changó En Chimá China Las claves Hemingway He visto Pasión La rebelión de los genes Rebelión Tierra ...
... Chimá nace un santo China 6:00 a.m. Las claves mágicas de América Hemingway, el cazador de la muerte He visto la noche Pasión vagabunda Changó En Chimá China Las claves Hemingway He visto Pasión La rebelión de los genes Rebelión Tierra ...
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... Chimá nace un santo (1963), and Changó, el gran putas (1983). Hutcheon's expanded references to Manuel Zapata Olivella, along with those to other black writers in Latin America, were announced in conjunction with an upcoming project on ...
... Chimá nace un santo (1963), and Changó, el gran putas (1983). Hutcheon's expanded references to Manuel Zapata Olivella, along with those to other black writers in Latin America, were announced in conjunction with an upcoming project on ...
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... (1949); China, Hotel de vagabundos (1955), La calle 10 (1960), Detrás del rostro (1963), Chambacú, En Chimá, ¿Quién dio el fusil a Oswald? (1967); Changó, 6 Manuel Zapata Olivella AND THE “Darkening” OF Latin American Literature.
... (1949); China, Hotel de vagabundos (1955), La calle 10 (1960), Detrás del rostro (1963), Chambacú, En Chimá, ¿Quién dio el fusil a Oswald? (1967); Changó, 6 Manuel Zapata Olivella AND THE “Darkening” OF Latin American Literature.
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Antonio D. Tillis. bacú, En Chimá, ¿Quién dio el fusil a Oswald? (1967); Changó, El fusilamiento del diablo (1986), Levántate mulato (1990) and Hemingway, cazador de la muerte (1993). His major essay collections are Nuestra voz (1987) ...
Antonio D. Tillis. bacú, En Chimá, ¿Quién dio el fusil a Oswald? (1967); Changó, El fusilamiento del diablo (1986), Levántate mulato (1990) and Hemingway, cazador de la muerte (1993). His major essay collections are Nuestra voz (1987) ...
Բովանդակություն
10 | |
Chapter II | 25 |
La Calle 10 En Chimá and Chambacú | 45 |
Chapter IV | 70 |
Chapter V | 86 |
Chapter VI | 110 |
Conclusion | 126 |
Bibliography | 133 |
Index | 141 |
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Additionally aesthetic African ancestry African descent African diaspora Afro-Colombian Afro-Hispanic Agne America Antoñete Bogotá Chambacú Changó chapter characters Chimá claves Colombian colonial concept cultural depicts discourse Ebony Path Espitia essays ethnic European exploitation explored Father Berrocal fiction focus Harlem Hemingway heritage hijo Hispanic historical historiographic metafiction hombre hunger Hutcheon identity ideology Indian indigenous inhabitants Jorge José Raquel Kenya Kikuyo Latin American literature Levántate Linda Hutcheon literary magical realism major Manuel Zapata Olivella María Marvin Lewis Máximo ment mestizos metafiction Mexican miscegenation mixed mulato narrative voice narrator nature negro North American novel oppression Parmenio plight political postcolonial postmodernism presented protagonist race racial racism reader reality region religion religious Renata representation reveals Richard Jackson Ruperta Sacred Mammal saint scholars Secos sexual Sinú River Sinú River valley slavery social Spanish Tenth Street thematic theme Tierra tion traditions Treading the Ebony tri-ethnic United violence World writer Yoruba