Manuel Zapata Olivella and the "darkening" of Latin American LiteratureUniversity of Missouri Press, 2005 - 148 էջ |
From inside the book
Արդյունքներ 20–ի 1-ից 5-ը:
Էջ 5
... Indian). For the maturing writer, the need for a self-defined identity plagued much of his literary discourse. In his texts, Zapata Olivella introduces the reader to the mélange of “subjectivities” that define his personhood. As ...
... Indian). For the maturing writer, the need for a self-defined identity plagued much of his literary discourse. In his texts, Zapata Olivella introduces the reader to the mélange of “subjectivities” that define his personhood. As ...
Էջ 14
... Indian and employing popular cultural practices. Gregorio and Estebana's offspring, Rosaura and José Darío, manifest the hardships of life on a champa, or raftlike canoe, constantly relocating as their family is displaced by floods ...
... Indian and employing popular cultural practices. Gregorio and Estebana's offspring, Rosaura and José Darío, manifest the hardships of life on a champa, or raftlike canoe, constantly relocating as their family is displaced by floods ...
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... Indian, without realizing it. His buddy, a mu- latto, was also ignorant of his African ancestry. They were mere country men, born and raised on the banks of the Sinú. (El cuerpo de Gregorio relucía su alqui-tranada piel al lado de la ...
... Indian, without realizing it. His buddy, a mu- latto, was also ignorant of his African ancestry. They were mere country men, born and raised on the banks of the Sinú. (El cuerpo de Gregorio relucía su alqui-tranada piel al lado de la ...
Էջ 37
Դուք հասել եք այս գրքի դիտումների առավելագույն քանակին.
Դուք հասել եք այս գրքի դիտումների առավելագույն քանակին.
Էջ 48
Դուք հասել եք այս գրքի դիտումների առավելագույն քանակին.
Դուք հասել եք այս գրքի դիտումների առավելագույն քանակին.
Բովանդակություն
10 | |
Chapter II | 25 |
La Calle 10 En Chimá and Chambacú | 45 |
Chapter IV | 70 |
Chapter V | 86 |
Chapter VI | 110 |
Conclusion | 126 |
Bibliography | 133 |
Index | 141 |
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Additionally aesthetic African ancestry African descent African diaspora Afro-Colombian Afro-Hispanic Agne America Antoñete Bogotá Chambacú Changó chapter characters Chimá claves Colombian colonial concept cultural depicts discourse Ebony Path Espitia essays ethnic European exploitation explored Father Berrocal fiction focus Harlem Hemingway heritage hijo Hispanic historical historiographic metafiction hombre hunger Hutcheon identity ideology Indian indigenous inhabitants Jorge José Raquel Kenya Kikuyo Latin American literature Levántate Linda Hutcheon literary magical realism major Manuel Zapata Olivella María Marvin Lewis Máximo ment mestizos metafiction Mexican miscegenation mixed mulato narrative voice narrator nature negro North American novel oppression Parmenio plight political postcolonial postmodernism presented protagonist race racial racism reader reality region religion religious Renata representation reveals Richard Jackson Ruperta Sacred Mammal saint scholars Secos sexual Sinú River Sinú River valley slavery social Spanish Tenth Street thematic theme Tierra tion traditions Treading the Ebony tri-ethnic United violence World writer Yoruba