Manuel Zapata Olivella and the "darkening" of Latin American LiteratureUniversity of Missouri Press, 2005 - 148 էջ |
From inside the book
Արդյունքներ 31–ի 1-ից 5-ը:
Էջ 5
... becomes a major point of reference in his latter works, results from historical miscegenation and slavery in the New World. His father was a black-identified mulatto and his mother was Creole (half-Spanish and half-Indian). For the ...
... becomes a major point of reference in his latter works, results from historical miscegenation and slavery in the New World. His father was a black-identified mulatto and his mother was Creole (half-Spanish and half-Indian). For the ...
Էջ 18
... becomes problematized with the juxtaposition of class. Through characters such as the mulatto Jesús Espitia, Zapata Olivella explores the theme of black self-hatred. Many Latin Americans of African ancestry often try to efface blackness ...
... becomes problematized with the juxtaposition of class. Through characters such as the mulatto Jesús Espitia, Zapata Olivella explores the theme of black self-hatred. Many Latin Americans of African ancestry often try to efface blackness ...
Էջ 19
... becomes a characteristic narrative strategy . The race - dependent power paradigm climaxes in the love triangle that exists among José Darío , María Teresa , and the Mono Espitia . María Teresa is caught in the middle of a deadly ...
... becomes a characteristic narrative strategy . The race - dependent power paradigm climaxes in the love triangle that exists among José Darío , María Teresa , and the Mono Espitia . María Teresa is caught in the middle of a deadly ...
Էջ 22
... become messengers of nature , warning of death and destruction , similar to the messenger - angels of Christianity ... becomes a mimetic representation of divinity . The reflection of God in nature is congruent with African cosmology ...
... become messengers of nature , warning of death and destruction , similar to the messenger - angels of Christianity ... becomes a mimetic representation of divinity . The reflection of God in nature is congruent with African cosmology ...
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... become signifiers of an African- ized heritage . Characters such as Carrillito and “ el viejo Goyo , ” Gre- gorio , embody the spirit of the African griot or Old World storytellers . As in the anancy tales of African tradition , animals ...
... become signifiers of an African- ized heritage . Characters such as Carrillito and “ el viejo Goyo , ” Gre- gorio , embody the spirit of the African griot or Old World storytellers . As in the anancy tales of African tradition , animals ...
Բովանդակություն
10 | |
Chapter II | 25 |
La Calle 10 En Chimá and Chambacú | 45 |
Chapter IV | 70 |
Chapter V | 86 |
Chapter VI | 110 |
Conclusion | 126 |
Bibliography | 133 |
Index | 141 |
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Common terms and phrases
Additionally aesthetic African ancestry African descent African diaspora Afro-Colombian Afro-Hispanic Agne America Antoñete Bogotá Chambacú Changó chapter characters Chimá claves Colombian colonial concept cultural depicts discourse Ebony Path Espitia essays ethnic European exploitation explored Father Berrocal fiction focus Harlem Hemingway heritage hijo Hispanic historical historiographic metafiction hombre hunger Hutcheon identity ideology Indian indigenous inhabitants Jorge José Raquel Kenya Kikuyo Latin American literature Levántate Linda Hutcheon literary magical realism major Manuel Zapata Olivella María Marvin Lewis Máximo ment mestizos metafiction Mexican miscegenation mixed mulato narrative voice narrator nature negro North American novel oppression Parmenio plight political postcolonial postmodernism presented protagonist race racial racism reader reality region religion religious Renata representation reveals Richard Jackson Ruperta Sacred Mammal saint scholars Secos sexual Sinú River Sinú River valley slavery social Spanish Tenth Street thematic theme Tierra tion traditions Treading the Ebony tri-ethnic United violence World writer Yoruba