Manuel Zapata Olivella and the "darkening" of Latin American LiteratureUniversity of Missouri Press, 2005 - 148 էջ |
From inside the book
Արդյունքներ 22–ի 1-ից 5-ը:
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... geographical spaces figure prominently in his novels. In China 6 a.m. (1955), his focus is com- munist China. With He visto la noche (1949), ¿Quién dio el fusil a Oswald? (1967), and Chambacú, emphasis is placed on the United States ...
... geographical spaces figure prominently in his novels. In China 6 a.m. (1955), his focus is com- munist China. With He visto la noche (1949), ¿Quién dio el fusil a Oswald? (1967), and Chambacú, emphasis is placed on the United States ...
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... geographical region and the treatment of relationships between humankind and the identified environment. Central to these texts are a number of “natural” challenges presented within the novel. I observed further that Zapata Olivella's ...
... geographical region and the treatment of relationships between humankind and the identified environment. Central to these texts are a number of “natural” challenges presented within the novel. I observed further that Zapata Olivella's ...
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... geographically separated by river valleys and mountain ranges . Of the four delineated regions of Colombia , the ... geographical space for its own well- being . Essential to the development of the plot is the unwillingness of the ...
... geographically separated by river valleys and mountain ranges . Of the four delineated regions of Colombia , the ... geographical space for its own well- being . Essential to the development of the plot is the unwillingness of the ...
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... geographical space and its unique character- istics . Common to the area are devastating storms that cause diluvial destruction . Swamps , marshland , and river valley topography are vividly described along with native creatures such as ...
... geographical space and its unique character- istics . Common to the area are devastating storms that cause diluvial destruction . Swamps , marshland , and river valley topography are vividly described along with native creatures such as ...
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... geographically linked to the locale of Tierra . Although under- stood to reflect rural articulations of Colombia and Panamá , cumbia is regarded today as an expression of national Colombian culture . In the narrative , they exemplify ...
... geographically linked to the locale of Tierra . Although under- stood to reflect rural articulations of Colombia and Panamá , cumbia is regarded today as an expression of national Colombian culture . In the narrative , they exemplify ...
Բովանդակություն
10 | |
Chapter II | 25 |
La Calle 10 En Chimá and Chambacú | 45 |
Chapter IV | 70 |
Chapter V | 86 |
Chapter VI | 110 |
Conclusion | 126 |
Bibliography | 133 |
Index | 141 |
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Additionally aesthetic African ancestry African descent African diaspora Afro-Colombian Afro-Hispanic Agne America Antoñete Bogotá Chambacú Changó chapter characters Chimá claves Colombian colonial concept cultural depicts discourse Ebony Path Espitia essays ethnic European exploitation explored Father Berrocal fiction focus Harlem Hemingway heritage hijo Hispanic historical historiographic metafiction hombre hunger Hutcheon identity ideology Indian indigenous inhabitants Jorge José Raquel Kenya Kikuyo Latin American literature Levántate Linda Hutcheon literary magical realism major Manuel Zapata Olivella María Marvin Lewis Máximo ment mestizos metafiction Mexican miscegenation mixed mulato narrative voice narrator nature negro North American novel oppression Parmenio plight political postcolonial postmodernism presented protagonist race racial racism reader reality region religion religious Renata representation reveals Richard Jackson Ruperta Sacred Mammal saint scholars Secos sexual Sinú River Sinú River valley slavery social Spanish Tenth Street thematic theme Tierra tion traditions Treading the Ebony tri-ethnic United violence World writer Yoruba