Manuel Zapata Olivella and the "darkening" of Latin American LiteratureUniversity of Missouri Press, 2005 - 148 էջ |
From inside the book
Արդյունքներ 44–ի 1-ից 5-ը:
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... narrative voice moves through Africa, the United States, South America, and the Carib- bean. Thus, this author's broad geographical-thematic literary scope extends his appeal well beyond Colombia and Spanish America. Also to his credit ...
... narrative voice moves through Africa, the United States, South America, and the Carib- bean. Thus, this author's broad geographical-thematic literary scope extends his appeal well beyond Colombia and Spanish America. Also to his credit ...
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... narrative focus centers Afro-Latin American realism. Twenty years after that assessment, Jackson refers to Zapata Olivella as “the dean of black Hispanic writers,” a distinction that the life and works of this talented writer and ...
... narrative focus centers Afro-Latin American realism. Twenty years after that assessment, Jackson refers to Zapata Olivella as “the dean of black Hispanic writers,” a distinction that the life and works of this talented writer and ...
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... narrative focus centering on the complexities of a specific geographical region and the treatment of relationships between humankind and the identified environment. Central to these texts are a number of “natural” challenges presented ...
... narrative focus centering on the complexities of a specific geographical region and the treatment of relationships between humankind and the identified environment. Central to these texts are a number of “natural” challenges presented ...
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... narrative voice presents him as one who is totally ignorant of his African ancestry and who exhibits a hatred of self that he proj- ects onto poor blacks and others who work for him. The oppressed are represented by the family of ...
... narrative voice presents him as one who is totally ignorant of his African ancestry and who exhibits a hatred of self that he proj- ects onto poor blacks and others who work for him. The oppressed are represented by the family of ...
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... narration accomplishes three primary objectives. First, it gives the reader insight into the role and po- sitionality ... narrative portrait is that of a rus- tic woman who struggles to survive with her family as they navigate the waters ...
... narration accomplishes three primary objectives. First, it gives the reader insight into the role and po- sitionality ... narrative portrait is that of a rus- tic woman who struggles to survive with her family as they navigate the waters ...
Բովանդակություն
10 | |
Chapter II | 25 |
La Calle 10 En Chimá and Chambacú | 45 |
Chapter IV | 70 |
Chapter V | 86 |
Chapter VI | 110 |
Conclusion | 126 |
Bibliography | 133 |
Index | 141 |
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Common terms and phrases
Additionally aesthetic African ancestry African descent African diaspora Afro-Colombian Afro-Hispanic Agne America Antoñete Bogotá Chambacú Changó chapter characters Chimá claves Colombian colonial concept cultural depicts discourse Ebony Path Espitia essays ethnic European exploitation explored Father Berrocal fiction focus Harlem Hemingway heritage hijo Hispanic historical historiographic metafiction hombre hunger Hutcheon identity ideology Indian indigenous inhabitants Jorge José Raquel Kenya Kikuyo Latin American literature Levántate Linda Hutcheon literary magical realism major Manuel Zapata Olivella María Marvin Lewis Máximo ment mestizos metafiction Mexican miscegenation mixed mulato narrative voice narrator nature negro North American novel oppression Parmenio plight political postcolonial postmodernism presented protagonist race racial racism reader reality region religion religious Renata representation reveals Richard Jackson Ruperta Sacred Mammal saint scholars Secos sexual Sinú River Sinú River valley slavery social Spanish Tenth Street thematic theme Tierra tion traditions Treading the Ebony tri-ethnic United violence World writer Yoruba