Manuel Zapata Olivella and the "darkening" of Latin American LiteratureUniversity of Missouri Press, 2005 - 148 էջ |
From inside the book
Արդյունքներ 58–ի 1-ից 5-ը:
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... novels. In China 6 a.m. (1955), his focus is com- munist China. With He visto la noche (1949), ¿Quién dio el fusil a Oswald? (1967), and Chambacú, emphasis is placed on the United States. Changó transports the reader through several ...
... novels. In China 6 a.m. (1955), his focus is com- munist China. With He visto la noche (1949), ¿Quién dio el fusil a Oswald? (1967), and Chambacú, emphasis is placed on the United States. Changó transports the reader through several ...
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... novels and critical essays are being translated into English, French, and other languages, allowing readership of this gifted author to expand beyond the confines of the Spanish-speaking world. In addition, the second generation of Afro ...
... novels and critical essays are being translated into English, French, and other languages, allowing readership of this gifted author to expand beyond the confines of the Spanish-speaking world. In addition, the second generation of Afro ...
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... novel, Tierra mojada (1947), that the senior Zapata dabbled in writing: “His father en- joyed reading and was even accustomed to writing one or more articles, one or more short stories.” (Al padre le gustaba leer y hasta solía es ...
... novel, Tierra mojada (1947), that the senior Zapata dabbled in writing: “His father en- joyed reading and was even accustomed to writing one or more articles, one or more short stories.” (Al padre le gustaba leer y hasta solía es ...
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... novel, Trivios bajo el Sol ( Junctions beneath the Sun). Continuing the tradition that had been established by their ... novels. Additionally, he wrote a number of critical essays and short stories during this time frame. His novels ...
... novel, Trivios bajo el Sol ( Junctions beneath the Sun). Continuing the tradition that had been established by their ... novels. Additionally, he wrote a number of critical essays and short stories during this time frame. His novels ...
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... novel. I observed further that Zapata Olivella's initial novel is emblematic of la novela de la tierra in Spanish America because of its the- matic representation of the “land” and the sustained focus on human interaction and ...
... novel. I observed further that Zapata Olivella's initial novel is emblematic of la novela de la tierra in Spanish America because of its the- matic representation of the “land” and the sustained focus on human interaction and ...
Բովանդակություն
10 | |
Chapter II | 25 |
La Calle 10 En Chimá and Chambacú | 45 |
Chapter IV | 70 |
Chapter V | 86 |
Chapter VI | 110 |
Conclusion | 126 |
Bibliography | 133 |
Index | 141 |
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Common terms and phrases
Additionally aesthetic African ancestry African descent African diaspora Afro-Colombian Afro-Hispanic Agne America Antoñete Bogotá Chambacú Changó chapter characters Chimá claves Colombian colonial concept cultural depicts discourse Ebony Path Espitia essays ethnic European exploitation explored Father Berrocal fiction focus Harlem Hemingway heritage hijo Hispanic historical historiographic metafiction hombre hunger Hutcheon identity ideology Indian indigenous inhabitants Jorge José Raquel Kenya Kikuyo Latin American literature Levántate Linda Hutcheon literary magical realism major Manuel Zapata Olivella María Marvin Lewis Máximo ment mestizos metafiction Mexican miscegenation mixed mulato narrative voice narrator nature negro North American novel oppression Parmenio plight political postcolonial postmodernism presented protagonist race racial racism reader reality region religion religious Renata representation reveals Richard Jackson Ruperta Sacred Mammal saint scholars Secos sexual Sinú River Sinú River valley slavery social Spanish Tenth Street thematic theme Tierra tion traditions Treading the Ebony tri-ethnic United violence World writer Yoruba