Manuel Zapata Olivella and the "darkening" of Latin American LiteratureUniversity of Missouri Press, 2005 - 148 էջ |
From inside the book
Արդյունքներ 30–ի 1-ից 5-ը:
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... Slavery in Latin America and the Caribbean (New York: Oxford University Press, 1986), Leslie Rout, The African Experience in Spanish America: 1502 to the Present Day (Cambridge: Cambridge Uni- versity Press, 1976); and Darién J. Davis ...
... Slavery in Latin America and the Caribbean (New York: Oxford University Press, 1986), Leslie Rout, The African Experience in Spanish America: 1502 to the Present Day (Cambridge: Cambridge Uni- versity Press, 1976); and Darién J. Davis ...
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... Slavery, oppression, marginalization, si- lencing, and historical racism, all of which are themes explored in the works of Zapata Olivella, characterize this existence. Borrowing from Colombian historical moments, Zapata Olivella ...
... Slavery, oppression, marginalization, si- lencing, and historical racism, all of which are themes explored in the works of Zapata Olivella, characterize this existence. Borrowing from Colombian historical moments, Zapata Olivella ...
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... slavery in the New World. His father was a black-identified mulatto and his mother was Creole (half-Spanish and half-Indian). For the maturing writer, the need for a self-defined identity plagued much of his literary discourse. In his ...
... slavery in the New World. His father was a black-identified mulatto and his mother was Creole (half-Spanish and half-Indian). For the maturing writer, the need for a self-defined identity plagued much of his literary discourse. In his ...
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... slavery, to the narrative present. Religion, while not a predominant theme of this work, serves to expand the cultural pa- rameters of the novel and exposes the interfacing of native traditions and externally imposed religion. Colonial ...
... slavery, to the narrative present. Religion, while not a predominant theme of this work, serves to expand the cultural pa- rameters of the novel and exposes the interfacing of native traditions and externally imposed religion. Colonial ...
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... slaves in Latin America . Both are cultural by - products of the efforts of African slaves to resist assimilation in order to maintain cul- tural vestiges of the Old World and to subvert New World expressions . Cumbia is geographically ...
... slaves in Latin America . Both are cultural by - products of the efforts of African slaves to resist assimilation in order to maintain cul- tural vestiges of the Old World and to subvert New World expressions . Cumbia is geographically ...
Բովանդակություն
10 | |
Chapter II | 25 |
La Calle 10 En Chimá and Chambacú | 45 |
Chapter IV | 70 |
Chapter V | 86 |
Chapter VI | 110 |
Conclusion | 126 |
Bibliography | 133 |
Index | 141 |
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Common terms and phrases
Additionally aesthetic African ancestry African descent African diaspora Afro-Colombian Afro-Hispanic Agne America Antoñete Bogotá Chambacú Changó chapter characters Chimá claves Colombian colonial concept cultural depicts discourse Ebony Path Espitia essays ethnic European exploitation explored Father Berrocal fiction focus Harlem Hemingway heritage hijo Hispanic historical historiographic metafiction hombre hunger Hutcheon identity ideology Indian indigenous inhabitants Jorge José Raquel Kenya Kikuyo Latin American literature Levántate Linda Hutcheon literary magical realism major Manuel Zapata Olivella María Marvin Lewis Máximo ment mestizos metafiction Mexican miscegenation mixed mulato narrative voice narrator nature negro North American novel oppression Parmenio plight political postcolonial postmodernism presented protagonist race racial racism reader reality region religion religious Renata representation reveals Richard Jackson Ruperta Sacred Mammal saint scholars Secos sexual Sinú River Sinú River valley slavery social Spanish Tenth Street thematic theme Tierra tion traditions Treading the Ebony tri-ethnic United violence World writer Yoruba