THE BLESSINGS OF LIBERTY. [From the Letter from Italy.] Oh Liberty, thou goddess heav'nly bright, In ten degrees of more indulgent skies, Though o'er our heads the frozen Pleiads shine: 'Tis Liberty that crowns Britannia's isle And makes her barren rocks and her bleak mountains smile. Others with tow'ring piles may please the sight And in their proud aspiring domes delight: A nicer touch to the stretch'd canvass give, Or teach their animated rocks to live : 'Tis Britain's care to watch o'er Europe's fate And hold in balance each contending state, To threaten bold presumptuous kings with war, MARLBOROUGH AT BLENHEIM. [From The Campaign.] Behold, in awful march and dread array Amidst confusion, horror, and despair, In peaceful thought the field of death survey'd, Inspir'd repuls'd battalions to engage, And taught the doubtful battle where to rage. WILLIAM WALSH. [WILLIAM WALSH was born at Aberley in Worcestershire, in 1663. He died in 1708. His principal works are A Defence of the Fair Sex, 1690, and Poems, 1691.] The praise of Dryden first recommended to the public a poet who has since his death been solely immortalised by the praise of Pope. The lines of the latter, written in 1709, are familiar to most readers, but may be quoted here: To him the wit of Greece and Rome was known, Such late was Walsh-the Muse's judge and friend, To failings mild, but zealous to desert, The clearest head and the sincerest heart.' The qualities which Pope attributes to the person of Walsh are found in his writings, which have certainly been unduly neglected. The Propertius of the Restoration, he alone among the writers of his age understood the passion of love in an honourable and chivalric sense. Dryden, however, was almost the only person who perceived the moral beauty of Walsh's verse, and certainly was alone in praising his very remarkable Defence of the Fair Sex, in which the young poet, in an age given up to selfish gallantry, recommended the honourable equality of the sexes and the views now understood as the extension of women's rights. He possessed little versatility, but much sweetness in the use of the heroic measure, and a certain delicate insight into emotion. His poem entitled 'Jealousy' cannot be quoted here; but it is by far the most powerful of his productions, and a marvellously true picture of a heart tossed in an agony of jealousy and love. In studying the versification of Pope, the influence of Walsh upon the style of the younger and greater man should not be overlooked, and there will be found in Walsh couplets such as this— 'Embalmed in verse, through distant times they come, which Pope did not disdain to re-work on his own anvil into brighter shapes. It should be noted that Walsh is the author of the only sonnet written in English between Milton's, in 1658, and Warton's, about 1750. EDMUND W. Gosse. |