A Companion to Shakespeare and PerformanceBarbara Hodgdon, W. B. Worthen John Wiley & Sons, 15 апр. 2008 г. - Всего страниц: 704 A Companion to Shakespeare and Performance provides a state-of-the-art engagement with the rapidly developing field of Shakespeare performance studies.
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Стр. 14
... Elizabethan theatre architecture concisely: All at once theatre was an institution, a property, a corporation. For the first time in more than a thousand years it had the sort of reality that meant most to Renaissance society: it was ...
... Elizabethan theatre architecture concisely: All at once theatre was an institution, a property, a corporation. For the first time in more than a thousand years it had the sort of reality that meant most to Renaissance society: it was ...
Стр. 17
... Elizabethan theatres was steeped in reconstructing them. Moreover, the design of these houses was based on an understanding of the spatial requirements of previous plays. Thus, Elizabethan playhouses looked back to past houses and ...
... Elizabethan theatres was steeped in reconstructing them. Moreover, the design of these houses was based on an understanding of the spatial requirements of previous plays. Thus, Elizabethan playhouses looked back to past houses and ...
Стр. 20
... Elizabethan playhouses, from the tiring rooms to the inner closets, and this is also the structural principle of the unconscious. Sometimes we learn that there are secrets too intimate to share with our intimates, even with ourselves ...
... Elizabethan playhouses, from the tiring rooms to the inner closets, and this is also the structural principle of the unconscious. Sometimes we learn that there are secrets too intimate to share with our intimates, even with ourselves ...
Стр. 36
... Elizabethan jurist described it, “his Body politic is a Body that cannot be seen and handled, consisting of Policy and Government, and constituted for the Direction of the People, and the Management of the public weal” (Kantorowicz 1957 ...
... Elizabethan jurist described it, “his Body politic is a Body that cannot be seen and handled, consisting of Policy and Government, and constituted for the Direction of the People, and the Management of the public weal” (Kantorowicz 1957 ...
Стр. 42
... Elizabethan costume through the use of the right dyes, including urine, and their use of early modern underwear, which the actors reported as transforming their bodies into the right walk for Shakespeare but which we could see as an ...
... Elizabethan costume through the use of the right dyes, including urine, and their use of early modern underwear, which the actors reported as transforming their bodies into the right walk for Shakespeare but which we could see as an ...
Содержание
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Part II Materialities Writing and Performance | 139 |
Part III Histories | 231 |
Part IV Performance Technologies Cultural Technologies | 397 |
Part V Identities of Performance | 509 |
Part VI Performing Pedagogies | 625 |
Index | 659 |
Другие издания - Просмотреть все
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2008 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |
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actors architecture argues Asian audience authentic Bianca body Cambridge cast character cinema contemporary context costume critical cues cultural Desdemona director drama early modern editors Elizabethan English experience Falstaff Festival film film’s Folio frame gender Hamlet Henry identity imagined Indian intercultural interpretation Kathakali King Lear language Lear’s London Macbeth meaning narrative offer Othello Oxford Peter Petruchio play’s political practice production production’s Quarto race reading recent recording relationship Renaissance Richard Richard III Riot Grrrl role Romeo and Juliet Rosalind Royal Shakespeare Royal Shakespeare Company scene screenplay screenplay edition script sense sexual Shake Shakespeare at Winedale Shakespeare’s Globe Shakespeare’s plays Shakespearean performance social space speak spectators speech stage Stanislavski story Stratford suggests textual theatre theatrical Theyyam Titus Titus Andronicus Titus’s tourist tradition Tranio Twelfth Night University Press voice William Shakespeare women words Worthen writing