A Companion to Shakespeare and PerformanceBarbara Hodgdon, W. B. Worthen John Wiley & Sons, 15 апр. 2008 г. - Всего страниц: 704 A Companion to Shakespeare and Performance provides a state-of-the-art engagement with the rapidly developing field of Shakespeare performance studies.
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Стр. v
... 7 The Imaginary Text, or the Curse of the Folio Anthony B. Dan/Jon ix xi xvi 11 13 36 57 79 101 121 139 141 8 Shakespearean Screen/Play 162 Laurie E. Osborne 9 What Does. A Companion to Shakespeare and Performance: Contents.
... 7 The Imaginary Text, or the Curse of the Folio Anthony B. Dan/Jon ix xi xvi 11 13 36 57 79 101 121 139 141 8 Shakespearean Screen/Play 162 Laurie E. Osborne 9 What Does. A Companion to Shakespeare and Performance: Contents.
Стр. 21
... Folio (Weis 1993, Taylor & Warren 1983). Perhaps our contemporary interest in questions such as “Which version came first?” and “What suggests performance information and what suggests foul papers?” might be offset by a broader ...
... Folio (Weis 1993, Taylor & Warren 1983). Perhaps our contemporary interest in questions such as “Which version came first?” and “What suggests performance information and what suggests foul papers?” might be offset by a broader ...
Стр. 22
... Folio and a Quarto, and each has an equal claim to 'authenticity' ” (1994: 414). Discussions of “good” and “bad” Folios and Quartos have more than a little in common with the question of paternal and maternal legacy in King Lear, as ...
... Folio and a Quarto, and each has an equal claim to 'authenticity' ” (1994: 414). Discussions of “good” and “bad” Folios and Quartos have more than a little in common with the question of paternal and maternal legacy in King Lear, as ...
Стр. 25
... Folio. In the Quarto, the title page reads, True Chronicle Historie of the life and death of King Lear . . . , while the Folio names it The Tragedie of King Lear, and places the play between Hamlet and Othello. The two titles reflect ...
... Folio. In the Quarto, the title page reads, True Chronicle Historie of the life and death of King Lear . . . , while the Folio names it The Tragedie of King Lear, and places the play between Hamlet and Othello. The two titles reflect ...
Стр. 41
... Folio carries a set of secret codes, apparently placed there by Heminges and Condell, to which the actor must attend. Terminal e and doubled l, for example, are thus deliberate signs of emphasis (with “arme” more emphatic than “arm” or ...
... Folio carries a set of secret codes, apparently placed there by Heminges and Condell, to which the actor must attend. Terminal e and doubled l, for example, are thus deliberate signs of emphasis (with “arme” more emphatic than “arm” or ...
Содержание
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11 | |
Part II Materialities Writing and Performance | 139 |
Part III Histories | 231 |
Part IV Performance Technologies Cultural Technologies | 397 |
Part V Identities of Performance | 509 |
Part VI Performing Pedagogies | 625 |
Index | 659 |
Другие издания - Просмотреть все
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2008 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |
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