A Companion to Shakespeare and PerformanceBarbara Hodgdon, W. B. Worthen John Wiley & Sons, 15 апр. 2008 г. - Всего страниц: 704 A Companion to Shakespeare and Performance provides a state-of-the-art engagement with the rapidly developing field of Shakespeare performance studies.
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Стр. 21
... Quarto of 1608 and the 1623 Folio (Weis 1993, Taylor & Warren 1983). Perhaps our contemporary interest in questions such as “Which version came first?” and “What suggests performance information and what suggests foul papers?” might be ...
... Quarto of 1608 and the 1623 Folio (Weis 1993, Taylor & Warren 1983). Perhaps our contemporary interest in questions such as “Which version came first?” and “What suggests performance information and what suggests foul papers?” might be ...
Стр. 22
... Quarto, and each has an equal claim to 'authenticity' ” (1994: 414). Discussions of “good” and “bad” Folios and Quartos have more than a little in common with the question of paternal and maternal legacy in King Lear, as well. Both ...
... Quarto, and each has an equal claim to 'authenticity' ” (1994: 414). Discussions of “good” and “bad” Folios and Quartos have more than a little in common with the question of paternal and maternal legacy in King Lear, as well. Both ...
Стр. 25
... Quarto and the Folio. In the Quarto, the title page reads, True Chronicle Historie of the life and death of King Lear . . . , while the Folio names it The Tragedie of King Lear, and places the play between Hamlet and Othello. The two ...
... Quarto and the Folio. In the Quarto, the title page reads, True Chronicle Historie of the life and death of King Lear . . . , while the Folio names it The Tragedie of King Lear, and places the play between Hamlet and Othello. The two ...
Стр. 101
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Содержание
1 | |
11 | |
Part II Materialities Writing and Performance | 139 |
Part III Histories | 231 |
Part IV Performance Technologies Cultural Technologies | 397 |
Part V Identities of Performance | 509 |
Part VI Performing Pedagogies | 625 |
Index | 659 |
Другие издания - Просмотреть все
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2008 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |
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actors architecture argues Asian audience authentic Bianca body Cambridge cast character cinema contemporary context costume critical cues cultural Desdemona director drama early modern editors Elizabethan English experience Falstaff Festival film film’s Folio frame gender Hamlet Henry identity imagined Indian intercultural interpretation Kathakali King Lear language Lear’s London Macbeth meaning narrative offer Othello Oxford Peter Petruchio play’s political practice production production’s Quarto race reading recent recording relationship Renaissance Richard Richard III Riot Grrrl role Romeo and Juliet Rosalind Royal Shakespeare Royal Shakespeare Company scene screenplay screenplay edition script sense sexual Shake Shakespeare at Winedale Shakespeare’s Globe Shakespeare’s plays Shakespearean performance social space speak spectators speech stage Stanislavski story Stratford suggests textual theatre theatrical Theyyam Titus Titus Andronicus Titus’s tourist tradition Tranio Twelfth Night University Press voice William Shakespeare women words Worthen writing