A Companion to Shakespeare and PerformanceBarbara Hodgdon, W. B. Worthen John Wiley & Sons, 15 апр. 2008 г. - Всего страниц: 704 A Companion to Shakespeare and Performance provides a state-of-the-art engagement with the rapidly developing field of Shakespeare performance studies.
|
Результаты поиска по книге
Результаты 1 – 5 из 47
Стр. ix
... Richard III, directed at the Avon Theatre by Martha Henry Richard III (2002), the play's women look toward the tower at the end of the production's first act The Stratford Festival's Artistic Director, Richard Monette, framed between ...
... Richard III, directed at the Avon Theatre by Martha Henry Richard III (2002), the play's women look toward the tower at the end of the production's first act The Stratford Festival's Artistic Director, Richard Monette, framed between ...
Стр. xiv
... III (Macmillan Shakespeare Handbooks). Carol Chillington Rutter is Professor of English at the University of Warwick ... Richard Schoch is Professor of Drama at Queen Mary, University of London. He is the author of Sbakespeare's ...
... III (Macmillan Shakespeare Handbooks). Carol Chillington Rutter is Professor of English at the University of Warwick ... Richard Schoch is Professor of Drama at Queen Mary, University of London. He is the author of Sbakespeare's ...
Стр. 5
... Richard Loncraine's Richard III 1997; Michael Almereyda's Hamlet 2000) moved fluently between high and low culture, one moment voicing “Shakespeare,” the next registering resistance (Hall 1981). What did it mean to find a “popular ...
... Richard Loncraine's Richard III 1997; Michael Almereyda's Hamlet 2000) moved fluently between high and low culture, one moment voicing “Shakespeare,” the next registering resistance (Hall 1981). What did it mean to find a “popular ...
Стр. 13
... Richard III's famous wail “My kingdom for a horse,” swallowed by the grinding gears of a London cab is to think of Richard's transportation problem in an entirely new way. The audience for these performances, many of them schoolchildren ...
... Richard III's famous wail “My kingdom for a horse,” swallowed by the grinding gears of a London cab is to think of Richard's transportation problem in an entirely new way. The audience for these performances, many of them schoolchildren ...
Стр. 164
Вы достигли ограничения на просмотр для этой книги.
Вы достигли ограничения на просмотр для этой книги.
Содержание
1 | |
11 | |
Part II Materialities Writing and Performance | 139 |
Part III Histories | 231 |
Part IV Performance Technologies Cultural Technologies | 397 |
Part V Identities of Performance | 509 |
Part VI Performing Pedagogies | 625 |
Index | 659 |
Другие издания - Просмотреть все
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2008 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |
Часто встречающиеся слова и выражения
actors architecture argues Asian audience authentic Bianca body Cambridge cast character cinema contemporary context costume critical cues cultural Desdemona director drama early modern editors Elizabethan English experience Falstaff Festival film film’s Folio frame gender Hamlet Henry identity imagined Indian intercultural interpretation Kathakali King Lear language Lear’s London Macbeth meaning narrative offer Othello Oxford Peter Petruchio play’s political practice production production’s Quarto race reading recent recording relationship Renaissance Richard Richard III Riot Grrrl role Romeo and Juliet Rosalind Royal Shakespeare Royal Shakespeare Company scene screenplay screenplay edition script sense sexual Shake Shakespeare at Winedale Shakespeare’s Globe Shakespeare’s plays Shakespearean performance social space speak spectators speech stage Stanislavski story Stratford suggests textual theatre theatrical Theyyam Titus Titus Andronicus Titus’s tourist tradition Tranio Twelfth Night University Press voice William Shakespeare women words Worthen writing