A Companion to Shakespeare and PerformanceBarbara Hodgdon, W. B. Worthen John Wiley & Sons, 15 апр. 2008 г. - Всего страниц: 704 A Companion to Shakespeare and Performance provides a state-of-the-art engagement with the rapidly developing field of Shakespeare performance studies.
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Стр. vi
... Romeo and Juliet 179 Simon Palfrey and Tififany Stern 10 Editors in Love? Performing Desire in Romeo and Juliet 197 Wendy Wall 11 Prefixing the Author: Print, Plays, and Performance 212 W B. Wortben Part III Histories 231 12 Shakespeare ...
... Romeo and Juliet 179 Simon Palfrey and Tififany Stern 10 Editors in Love? Performing Desire in Romeo and Juliet 197 Wendy Wall 11 Prefixing the Author: Print, Plays, and Performance 212 W B. Wortben Part III Histories 231 12 Shakespeare ...
Стр. x
... Romeo and Juliet (1986) 342 18.2 Orlando (Scott Handy) and Rosalind (Adrian Lester) settle down to wooing games in Arden in Cheek by Jowl's As You Like It (1991) 350 18.3 Falstaff (Barrie Rutter) ambushed by fairies at Herne's Oak in ...
... Romeo and Juliet (1986) 342 18.2 Orlando (Scott Handy) and Rosalind (Adrian Lester) settle down to wooing games in Arden in Cheek by Jowl's As You Like It (1991) 350 18.3 Falstaff (Barrie Rutter) ambushed by fairies at Herne's Oak in ...
Стр. xiii
... Romeo and Juliet, and The Fifth Wall with Lynette Hunter for Arden. He has been Artistic Director of the Traverse Theatre, Edinburgh, The Leicester Haymarket Theatre and directs worldwide. Most recently he has directed Sartre's The ...
... Romeo and Juliet, and The Fifth Wall with Lynette Hunter for Arden. He has been Artistic Director of the Traverse Theatre, Edinburgh, The Leicester Haymarket Theatre and directs worldwide. Most recently he has directed Sartre's The ...
Стр. 5
... Romeo + Juliet 1996; Richard Loncraine's Richard III 1997; Michael Almereyda's Hamlet 2000) moved fluently between high and low culture, one moment voicing “Shakespeare,” the next registering resistance (Hall 1981). What did it mean to ...
... Romeo + Juliet 1996; Richard Loncraine's Richard III 1997; Michael Almereyda's Hamlet 2000) moved fluently between high and low culture, one moment voicing “Shakespeare,” the next registering resistance (Hall 1981). What did it mean to ...
Стр. 40
... Romeo and Juliet (2001: 94-8). Even at the point where they move from, in their words, “the technical aspects of Shakespeare's text” to “acting the text” (2001: 119), their analysis of the body in motion is restricted only to noting ...
... Romeo and Juliet (2001: 94-8). Even at the point where they move from, in their words, “the technical aspects of Shakespeare's text” to “acting the text” (2001: 119), their analysis of the body in motion is restricted only to noting ...
Содержание
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11 | |
Part II Materialities Writing and Performance | 139 |
Part III Histories | 231 |
Part IV Performance Technologies Cultural Technologies | 397 |
Part V Identities of Performance | 509 |
Part VI Performing Pedagogies | 625 |
Index | 659 |
Другие издания - Просмотреть все
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2008 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |
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