A Companion to Shakespeare and PerformanceBarbara Hodgdon, W. B. Worthen John Wiley & Sons, 15 апр. 2008 г. - Всего страниц: 704 A Companion to Shakespeare and Performance provides a state-of-the-art engagement with the rapidly developing field of Shakespeare performance studies.
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... Rosalind (Adrian Lester) settle down to wooing games in Arden in Cheek by Jowl's As You Like It (1991) 350 18.3 Falstaff (Barrie Rutter) ambushed by fairies at Herne's Oak in Northern Broadsides's Tke Merry 'Wives (2001) 356 23.1 ...
... Rosalind (Adrian Lester) settle down to wooing games in Arden in Cheek by Jowl's As You Like It (1991) 350 18.3 Falstaff (Barrie Rutter) ambushed by fairies at Herne's Oak in Northern Broadsides's Tke Merry 'Wives (2001) 356 23.1 ...
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... character transmuting or commenting on the action (as, for instance, a Celia can comment on what a Rosalind/Ganymede is doing with Orlando) is rendered invisible as well as inaudible. In such a structure bodies. 46 Peter Holland.
... character transmuting or commenting on the action (as, for instance, a Celia can comment on what a Rosalind/Ganymede is doing with Orlando) is rendered invisible as well as inaudible. In such a structure bodies. 46 Peter Holland.
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... Rosalind — “Rosalind organizes the country folk, arranges four marriages, makes everyone think the way she thinks, is witty, intelligent, and forceful. Could Rosalind become a CEO? I think so” (2002: 125), and a comparison of Rosalind ...
... Rosalind — “Rosalind organizes the country folk, arranges four marriages, makes everyone think the way she thinks, is witty, intelligent, and forceful. Could Rosalind become a CEO? I think so” (2002: 125), and a comparison of Rosalind ...
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Содержание
1 | |
11 | |
Part II Materialities Writing and Performance | 139 |
Part III Histories | 231 |
Part IV Performance Technologies Cultural Technologies | 397 |
Part V Identities of Performance | 509 |
Part VI Performing Pedagogies | 625 |
Index | 659 |
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A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2008 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |
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actors architecture argues Asian audience authentic Bianca body Cambridge cast character cinema contemporary context costume critical cues cultural Desdemona director drama early modern editors Elizabethan English experience Falstaff Festival film film’s Folio frame gender Hamlet Henry identity imagined Indian intercultural interpretation Kathakali King Lear language Lear’s London Macbeth meaning narrative offer Othello Oxford Peter Petruchio play’s political practice production production’s Quarto race reading recent recording relationship Renaissance Richard Richard III Riot Grrrl role Romeo and Juliet Rosalind Royal Shakespeare Royal Shakespeare Company scene screenplay screenplay edition script sense sexual Shake Shakespeare at Winedale Shakespeare’s Globe Shakespeare’s plays Shakespearean performance social space speak spectators speech stage Stanislavski story Stratford suggests textual theatre theatrical Theyyam Titus Titus Andronicus Titus’s tourist tradition Tranio Twelfth Night University Press voice William Shakespeare women words Worthen writing