A Companion to Shakespeare and PerformanceBarbara Hodgdon, W. B. Worthen John Wiley & Sons, 15 апр. 2008 г. - Всего страниц: 704 A Companion to Shakespeare and Performance provides a state-of-the-art engagement with the rapidly developing field of Shakespeare performance studies.
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Стр. xi
... Shakespeare and the Contemporary Past (1996) looked at the ideological investments of contemporary performances of Shakespeare's plays in both traditional and non-traditional theatre settings. “Shakespeare on Vacation” is one of a ...
... Shakespeare and the Contemporary Past (1996) looked at the ideological investments of contemporary performances of Shakespeare's plays in both traditional and non-traditional theatre settings. “Shakespeare on Vacation” is one of a ...
Стр. 2
... plays' “theatrical dimension" (1979). The (unspoken) ideal (it was not, as yet, an ideology) of this stage-centered critical practice had to do with attempting to discern Shakespeare's “intentions,” with revealing the theatrical ...
... plays' “theatrical dimension" (1979). The (unspoken) ideal (it was not, as yet, an ideology) of this stage-centered critical practice had to do with attempting to discern Shakespeare's “intentions,” with revealing the theatrical ...
Стр. 3
... Shakespeare performance events, usually (though not always) from a (potentially ... drama in the 1980s and 1990s (Derrida 1974). On the one hand, of course, it ... Shakespeare's play-in-performance or a “playtext” (McGuire 1985) now ...
... Shakespeare performance events, usually (though not always) from a (potentially ... drama in the 1980s and 1990s (Derrida 1974). On the one hand, of course, it ... Shakespeare's play-in-performance or a “playtext” (McGuire 1985) now ...
Стр. 8
... Shakespeare's plays as performance” — a weird but compelling idea of the authentic as the lost archive of the performances We also missed. It is the mutuality of missing the past and missing the present that might give us some kind of ...
... Shakespeare's plays as performance” — a weird but compelling idea of the authentic as the lost archive of the performances We also missed. It is the mutuality of missing the past and missing the present that might give us some kind of ...
Стр. 21
... Shakespeare's plays it is the gap between what one sees and one what cannot see that drives the drama. Visual evidence is not a guarantee of much at all in Shakespeare's plays. In Othello, “the ocular proof" of Desdemona's infidelity is ...
... Shakespeare's plays it is the gap between what one sees and one what cannot see that drives the drama. Visual evidence is not a guarantee of much at all in Shakespeare's plays. In Othello, “the ocular proof" of Desdemona's infidelity is ...
Содержание
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Part II Materialities Writing and Performance | 139 |
Part III Histories | 231 |
Part IV Performance Technologies Cultural Technologies | 397 |
Part V Identities of Performance | 509 |
Part VI Performing Pedagogies | 625 |
Index | 659 |
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A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2008 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |
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actors architecture argues Asian audience authentic Bianca body Cambridge cast character cinema contemporary context costume critical cues cultural Desdemona director drama early modern editors Elizabethan English experience Falstaff Festival film film’s Folio frame gender Hamlet Henry identity imagined Indian intercultural interpretation Kathakali King Lear language Lear’s London Macbeth meaning narrative offer Othello Oxford Peter Petruchio play’s political practice production production’s Quarto race reading recent recording relationship Renaissance Richard Richard III Riot Grrrl role Romeo and Juliet Rosalind Royal Shakespeare Royal Shakespeare Company scene screenplay screenplay edition script sense sexual Shake Shakespeare at Winedale Shakespeare’s Globe Shakespeare’s plays Shakespearean performance social space speak spectators speech stage Stanislavski story Stratford suggests textual theatre theatrical Theyyam Titus Titus Andronicus Titus’s tourist tradition Tranio Twelfth Night University Press voice William Shakespeare women words Worthen writing