A Companion to Shakespeare and PerformanceBarbara Hodgdon, W. B. Worthen John Wiley & Sons, 15 апр. 2008 г. - Всего страниц: 704 A Companion to Shakespeare and Performance provides a state-of-the-art engagement with the rapidly developing field of Shakespeare performance studies.
|
Результаты поиска по книге
Результаты 1 – 5 из 77
Стр. 20
... actors and spectators have recited his repetitions. For contemporary actors encountering the new old Globe, the specific force of the architecture has been surprising, offering both new limitations and new possibilities for staging the ...
... actors and spectators have recited his repetitions. For contemporary actors encountering the new old Globe, the specific force of the architecture has been surprising, offering both new limitations and new possibilities for staging the ...
Стр. 37
... actors, each wearing rehearsal clothes (or at least a carefully chosen representation of such clothing), a crown and a mask which they held between them, “Shakespeare” nodded at one and he played Richard that night while the other ...
... actors, each wearing rehearsal clothes (or at least a carefully chosen representation of such clothing), a crown and a mask which they held between them, “Shakespeare” nodded at one and he played Richard that night while the other ...
Стр. 39
... actors and other employees, what happens, in effect, when the kinds of texts that occur on its stages are ... actor, has been superbly charted by W. B. Worthen. One area in which this process is especially manifest and which Worthen did ...
... actors and other employees, what happens, in effect, when the kinds of texts that occur on its stages are ... actor, has been superbly charted by W. B. Worthen. One area in which this process is especially manifest and which Worthen did ...
Стр. 40
... actor-training and audience-memory — or, more accurately, spectator-memory. But that clearly is not the job that the authors of manuals for actors have set themselves. Obviously, a popular book called How to Speak Sbakespeare might ...
... actor-training and audience-memory — or, more accurately, spectator-memory. But that clearly is not the job that the authors of manuals for actors have set themselves. Obviously, a popular book called How to Speak Sbakespeare might ...
Стр. 41
... actor-training which prepares actors to work with contemporary texts in theatre spaces small enough to be analogous to television, not to speak complex early modern verse on large stages to a thousand listeners. It is not my intention ...
... actor-training which prepares actors to work with contemporary texts in theatre spaces small enough to be analogous to television, not to speak complex early modern verse on large stages to a thousand listeners. It is not my intention ...
Содержание
1 | |
11 | |
Part II Materialities Writing and Performance | 139 |
Part III Histories | 231 |
Part IV Performance Technologies Cultural Technologies | 397 |
Part V Identities of Performance | 509 |
Part VI Performing Pedagogies | 625 |
Index | 659 |
Другие издания - Просмотреть все
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2008 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |
Часто встречающиеся слова и выражения
actors architecture argues Asian audience authentic Bianca body Cambridge cast character cinema contemporary context costume critical cues cultural Desdemona director drama early modern editors Elizabethan English experience Falstaff Festival film film’s Folio frame gender Hamlet Henry identity imagined Indian intercultural interpretation Kathakali King Lear language Lear’s London Macbeth meaning narrative offer Othello Oxford Peter Petruchio play’s political practice production production’s Quarto race reading recent recording relationship Renaissance Richard Richard III Riot Grrrl role Romeo and Juliet Rosalind Royal Shakespeare Royal Shakespeare Company scene screenplay screenplay edition script sense sexual Shake Shakespeare at Winedale Shakespeare’s Globe Shakespeare’s plays Shakespearean performance social space speak spectators speech stage Stanislavski story Stratford suggests textual theatre theatrical Theyyam Titus Titus Andronicus Titus’s tourist tradition Tranio Twelfth Night University Press voice William Shakespeare women words Worthen writing