A Companion to Shakespeare and PerformanceBarbara Hodgdon, W. B. Worthen John Wiley & Sons, 15 апр. 2008 г. - Всего страниц: 704 A Companion to Shakespeare and Performance provides a state-of-the-art engagement with the rapidly developing field of Shakespeare performance studies.
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Стр. xii
... Contexts (1997), Henry IV, Part Two, Shakespeare in Performance Series (1993), and Tbe End Crowns All: Closure and Contradiction in Sbakespeare's History (1991). She was guest editor of a special issue of Sloa/eespeare Quarterly (Summer ...
... Contexts (1997), Henry IV, Part Two, Shakespeare in Performance Series (1993), and Tbe End Crowns All: Closure and Contradiction in Sbakespeare's History (1991). She was guest editor of a special issue of Sloa/eespeare Quarterly (Summer ...
Стр. 2
... context-based argument. Significantly, that essentially marginal activity marks the very difficulty of mobilizing performance to address text. Act 2 Meanwhile, methodologies and vocabularies from adjacent fields —. 2 Barbara H odgdon.
... context-based argument. Significantly, that essentially marginal activity marks the very difficulty of mobilizing performance to address text. Act 2 Meanwhile, methodologies and vocabularies from adjacent fields —. 2 Barbara H odgdon.
Стр. 4
... contexts as well as exploring their textual histories became required protocol, “always historicize” the rule for the new age of historiography. And the historical narratives being told were inflected (some would say infected) and ...
... contexts as well as exploring their textual histories became required protocol, “always historicize” the rule for the new age of historiography. And the historical narratives being told were inflected (some would say infected) and ...
Стр. 39
... context of early twenty-first-century cultural practice as much as in early modern London, theatre is made by companies whose institutional existences, unseen by audiences who consume only their visible cultural product, define modes of ...
... context of early twenty-first-century cultural practice as much as in early modern London, theatre is made by companies whose institutional existences, unseen by audiences who consume only their visible cultural product, define modes of ...
Стр. 47
... contexts and within such assumptions, the possibilities of language to have multiple and variant discordant meanings are suppressed. Language, in such readings, has only unitary value, value which has no connection to the forms of ...
... contexts and within such assumptions, the possibilities of language to have multiple and variant discordant meanings are suppressed. Language, in such readings, has only unitary value, value which has no connection to the forms of ...
Содержание
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11 | |
Part II Materialities Writing and Performance | 139 |
Part III Histories | 231 |
Part IV Performance Technologies Cultural Technologies | 397 |
Part V Identities of Performance | 509 |
Part VI Performing Pedagogies | 625 |
Index | 659 |
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A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2008 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |
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