A Companion to Shakespeare and PerformanceBarbara Hodgdon, W. B. Worthen John Wiley & Sons, 15 апр. 2008 г. - Всего страниц: 704 A Companion to Shakespeare and Performance provides a state-of-the-art engagement with the rapidly developing field of Shakespeare performance studies.
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Стр. xiii
... Critical Perspectives on Canadian Theatre. Douglas Lanier is Associate Professor of English at the University of New Hampshire. He has written a number of studies of Shakespeare and popular adaptation, as well as articles on Jonson ...
... Critical Perspectives on Canadian Theatre. Douglas Lanier is Associate Professor of English at the University of New Hampshire. He has written a number of studies of Shakespeare and popular adaptation, as well as articles on Jonson ...
Стр. xiv
... Critical Tbeory and Popular Cinema (2002) and an in-progress essay entitled “Narrating the Stage/Staging Narrative.” Simon Palfrey grew up in Australia and was a Rhodes Scholar at Oxford. His publications include Late Sbakespeare: A New ...
... Critical Tbeory and Popular Cinema (2002) and an in-progress essay entitled “Narrating the Stage/Staging Narrative.” Simon Palfrey grew up in Australia and was a Rhodes Scholar at Oxford. His publications include Late Sbakespeare: A New ...
Стр. xv
... Critical Guides series, and editing The Cambridge C ompanion to Shakespeare and Popular Culture. Bruce R. Smith, College Professor of English at the University of Southern California, is the author of Homosexual Desire in Shakespeare's ...
... Critical Guides series, and editing The Cambridge C ompanion to Shakespeare and Popular Culture. Bruce R. Smith, College Professor of English at the University of Southern California, is the author of Homosexual Desire in Shakespeare's ...
Стр. xvi
... critical performances into view as a book. Here, Emma Bennett played a starring role: her invitation to frame this project as well as her enthusiastic support and guidance have been crucial at every stage of the process. The entire ...
... critical performances into view as a book. Here, Emma Bennett played a starring role: her invitation to frame this project as well as her enthusiastic support and guidance have been crucial at every stage of the process. The entire ...
Стр. 1
... critical practices, critical re-performances. Act 1 It has become de rigueur in reconceptualizing critical projects to search for foundational moments. How did the study of Shakespearean performances engage with the enthusiastic ...
... critical practices, critical re-performances. Act 1 It has become de rigueur in reconceptualizing critical projects to search for foundational moments. How did the study of Shakespearean performances engage with the enthusiastic ...
Содержание
1 | |
11 | |
Part II Materialities Writing and Performance | 139 |
Part III Histories | 231 |
Part IV Performance Technologies Cultural Technologies | 397 |
Part V Identities of Performance | 509 |
Part VI Performing Pedagogies | 625 |
Index | 659 |
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A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2008 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |
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