A Companion to Shakespeare and PerformanceBarbara Hodgdon, W. B. Worthen John Wiley & Sons, 15 апр. 2008 г. - Всего страниц: 704 A Companion to Shakespeare and Performance provides a state-of-the-art engagement with the rapidly developing field of Shakespeare performance studies.
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Стр. vii
... Intercultural S27 Yang Li Lan 29 Guying the Guys and Girling The Shrew: (Post)Feminist Fun at Shakespeare's Globe 550 G. B. Snnnd 3O Queering the Audience: All-Male Casts in Recent Productions of Shakespeare 564 James C. Bnlnzan 31 A ...
... Intercultural S27 Yang Li Lan 29 Guying the Guys and Girling The Shrew: (Post)Feminist Fun at Shakespeare's Globe 550 G. B. Snnnd 3O Queering the Audience: All-Male Casts in Recent Productions of Shakespeare 564 James C. Bnlnzan 31 A ...
Стр. viii
... Intercultural Shakespeare Productions Joanne Tompkim Part VI Performing Pedagogies 33 Teaching Through Performance James N. Loeblz'n 34 “The eye of man hath not heard, / The ear of man hath not seen": Teaching Tools for Speaking ...
... Intercultural Shakespeare Productions Joanne Tompkim Part VI Performing Pedagogies 33 Teaching Through Performance James N. Loeblz'n 34 “The eye of man hath not heard, / The ear of man hath not seen": Teaching Tools for Speaking ...
Стр. xv
... intercultural theatre, and is the co-author of Post-Colonial Drama (with Helen Gilbert, 1996) and Women's Intercultural Performance (with Julie Holledge, 2000). A co-editor of Modern Drama, she is currently investigating spatiality in ...
... intercultural theatre, and is the co-author of Post-Colonial Drama (with Helen Gilbert, 1996) and Women's Intercultural Performance (with Julie Holledge, 2000). A co-editor of Modern Drama, she is currently investigating spatiality in ...
Стр. 5
... intercultural performances), devoting its major energies to performance art. Toward the end of the decade, W. B. Worthen's Shakespeare and the Authority of Performance (1997) focused incisively on how fidelity to a textual Shakespeare ...
... intercultural performances), devoting its major energies to performance art. Toward the end of the decade, W. B. Worthen's Shakespeare and the Authority of Performance (1997) focused incisively on how fidelity to a textual Shakespeare ...
Стр. 122
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Содержание
1 | |
11 | |
Part II Materialities Writing and Performance | 139 |
Part III Histories | 231 |
Part IV Performance Technologies Cultural Technologies | 397 |
Part V Identities of Performance | 509 |
Part VI Performing Pedagogies | 625 |
Index | 659 |
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A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2008 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |
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actors architecture argues Asian audience authentic Bianca body Cambridge cast character cinema contemporary context costume critical cues cultural Desdemona director drama early modern editors Elizabethan English experience Falstaff Festival film film’s Folio frame gender Hamlet Henry identity imagined Indian intercultural interpretation Kathakali King Lear language Lear’s London Macbeth meaning narrative offer Othello Oxford Peter Petruchio play’s political practice production production’s Quarto race reading recent recording relationship Renaissance Richard Richard III Riot Grrrl role Romeo and Juliet Rosalind Royal Shakespeare Royal Shakespeare Company scene screenplay screenplay edition script sense sexual Shake Shakespeare at Winedale Shakespeare’s Globe Shakespeare’s plays Shakespearean performance social space speak spectators speech stage Stanislavski story Stratford suggests textual theatre theatrical Theyyam Titus Titus Andronicus Titus’s tourist tradition Tranio Twelfth Night University Press voice William Shakespeare women words Worthen writing