A Companion to Shakespeare and PerformanceBarbara Hodgdon, W. B. Worthen John Wiley & Sons, 15 апр. 2008 г. - Всего страниц: 704 A Companion to Shakespeare and Performance provides a state-of-the-art engagement with the rapidly developing field of Shakespeare performance studies.
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... interpretations, signaled by a given production. But the notion of the multiplicity of the stages signification has been radically restrained by the sense that it's the page that permits the reader's freedom. Simultaneously, Shakespeare ...
... interpretations, signaled by a given production. But the notion of the multiplicity of the stages signification has been radically restrained by the sense that it's the page that permits the reader's freedom. Simultaneously, Shakespeare ...
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... interpreting Shakespeare, such performances make their own meanings and so invite, even demand, different ways of seeing, of saying — and of writing. Also figuring in the mix were popular films, especially those which, tracking away ...
... interpreting Shakespeare, such performances make their own meanings and so invite, even demand, different ways of seeing, of saying — and of writing. Also figuring in the mix were popular films, especially those which, tracking away ...
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... interpretation and repositioned the project of studying Shakespearean performance within the wider discourse of performance studies, carving out a space that Schechner had ignored — and changing dramatically the “force" and importance ...
... interpretation and repositioned the project of studying Shakespearean performance within the wider discourse of performance studies, carving out a space that Schechner had ignored — and changing dramatically the “force" and importance ...
Стр. 8
... Interpretation of Cultures. New York: Basic Books. Goldman, Michael (1972). Sbabespeare and tbe Energies of Drama. Princeton, NJ: Princeton University Press. Goldman, Michael (1985). Acting and Action in Shakespearean Tragedy. Princeton ...
... Interpretation of Cultures. New York: Basic Books. Goldman, Michael (1972). Sbabespeare and tbe Energies of Drama. Princeton, NJ: Princeton University Press. Goldman, Michael (1985). Acting and Action in Shakespearean Tragedy. Princeton ...
Стр. 13
... interpretation of drawings, historical and cultural scholarship, and a nexus of beliefs and assumptions about the project of reconstruction more generally (see Orrell 1992, Blatherwick & Gurr, 1992, Mulryne & Shewring 1997, for ...
... interpretation of drawings, historical and cultural scholarship, and a nexus of beliefs and assumptions about the project of reconstruction more generally (see Orrell 1992, Blatherwick & Gurr, 1992, Mulryne & Shewring 1997, for ...
Содержание
1 | |
11 | |
Part II Materialities Writing and Performance | 139 |
Part III Histories | 231 |
Part IV Performance Technologies Cultural Technologies | 397 |
Part V Identities of Performance | 509 |
Part VI Performing Pedagogies | 625 |
Index | 659 |
Другие издания - Просмотреть все
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2008 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |
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actors architecture argues Asian audience authentic Bianca body Cambridge cast character cinema contemporary context costume critical cues cultural Desdemona director drama early modern editors Elizabethan English experience Falstaff Festival film film’s Folio frame gender Hamlet Henry identity imagined Indian intercultural interpretation Kathakali King Lear language Lear’s London Macbeth meaning narrative offer Othello Oxford Peter Petruchio play’s political practice production production’s Quarto race reading recent recording relationship Renaissance Richard Richard III Riot Grrrl role Romeo and Juliet Rosalind Royal Shakespeare Royal Shakespeare Company scene screenplay screenplay edition script sense sexual Shake Shakespeare at Winedale Shakespeare’s Globe Shakespeare’s plays Shakespearean performance social space speak spectators speech stage Stanislavski story Stratford suggests textual theatre theatrical Theyyam Titus Titus Andronicus Titus’s tourist tradition Tranio Twelfth Night University Press voice William Shakespeare women words Worthen writing