A Companion to Shakespeare and PerformanceBarbara Hodgdon, W. B. Worthen John Wiley & Sons, 15 апр. 2008 г. - Всего страниц: 704 A Companion to Shakespeare and Performance provides a state-of-the-art engagement with the rapidly developing field of Shakespeare performance studies.
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Стр. xiii
... Meaning (1999), Shakespeare and Canada (2004), and Reading the Material Theatre (2004). He is also editor of Theatre in Atlantic Canada (1985) and coeditor of Modern Drama: Defining the Field (2003) and Staging C oyote's Dream: An ...
... Meaning (1999), Shakespeare and Canada (2004), and Reading the Material Theatre (2004). He is also editor of Theatre in Atlantic Canada (1985) and coeditor of Modern Drama: Defining the Field (2003) and Staging C oyote's Dream: An ...
Стр. 4
... of unitary meaning but were open sites of negotiation among text, performers, and audiences where textual obligation met performative option head on. By the mid-1990s, as fantasy histories of early modern. 4 Barbara H odgdon.
... of unitary meaning but were open sites of negotiation among text, performers, and audiences where textual obligation met performative option head on. By the mid-1990s, as fantasy histories of early modern. 4 Barbara H odgdon.
Стр. 15
... meaning and aesthetic or utilitarian purpose. But at its best, theatre aspires to expose the formlessness lurking within and beyond the temporary contingencies of physical form — architectural, theatrical, and mortal. Reconstructing ...
... meaning and aesthetic or utilitarian purpose. But at its best, theatre aspires to expose the formlessness lurking within and beyond the temporary contingencies of physical form — architectural, theatrical, and mortal. Reconstructing ...
Стр. 37
... meaning in the process of performance that was remarkable and unusual in the practice of Shakespearean performance. Seen at the time by Stanley Wells as “in some respects the most strongly interpretative production of a Shakespeare play ...
... meaning in the process of performance that was remarkable and unusual in the practice of Shakespearean performance. Seen at the time by Stanley Wells as “in some respects the most strongly interpretative production of a Shakespeare play ...
Стр. 38
... meaning, academic and theatre - to stand as the start for a repositioning of the theory of the king's two bodies in relation to Shakespearean performance. More specifically, I will work with the dichotomous potential of the ancient ...
... meaning, academic and theatre - to stand as the start for a repositioning of the theory of the king's two bodies in relation to Shakespearean performance. More specifically, I will work with the dichotomous potential of the ancient ...
Содержание
1 | |
11 | |
Part II Materialities Writing and Performance | 139 |
Part III Histories | 231 |
Part IV Performance Technologies Cultural Technologies | 397 |
Part V Identities of Performance | 509 |
Part VI Performing Pedagogies | 625 |
Index | 659 |
Другие издания - Просмотреть все
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2008 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |
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