A Companion to Shakespeare and PerformanceBarbara Hodgdon, W. B. Worthen John Wiley & Sons, 15 апр. 2008 г. - Всего страниц: 704 A Companion to Shakespeare and Performance provides a state-of-the-art engagement with the rapidly developing field of Shakespeare performance studies.
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Стр. 2
... practice (Shakespeare, Sonnet 116). Just as any performance began with (or from) Shakespeare, critical performances measured distances to and from authorial origin and agency, marked out reading strategies that, however derivative of ...
... practice (Shakespeare, Sonnet 116). Just as any performance began with (or from) Shakespeare, critical performances measured distances to and from authorial origin and agency, marked out reading strategies that, however derivative of ...
Стр. 3
... practices of the New Historicism, for while the New History was able to find textuality — and, of course, subversion — everywhere, the one place where the profoundly ambivalent metaphoricity of “thickly" textualized social practice was ...
... practices of the New Historicism, for while the New History was able to find textuality — and, of course, subversion — everywhere, the one place where the profoundly ambivalent metaphoricity of “thickly" textualized social practice was ...
Стр. 4
... practice: the film clip played beside the text; entire courses were devoted to Shakespeare films; with increasing frequency, classrooms became laboratories for exploring the plays in rehearsal, as process. Certainly by now most had ...
... practice: the film clip played beside the text; entire courses were devoted to Shakespeare films; with increasing frequency, classrooms became laboratories for exploring the plays in rehearsal, as process. Certainly by now most had ...
Стр. 5
... practice gave way to present-day histories, it became possible to include as part of the project stagings directed by Ariane Mnouchkine, Peter Sellars or Yukio Ninagawa; films by Peter Greenaway or Derek Jarman; or even Fred Curchack's ...
... practice gave way to present-day histories, it became possible to include as part of the project stagings directed by Ariane Mnouchkine, Peter Sellars or Yukio Ninagawa; films by Peter Greenaway or Derek Jarman; or even Fred Curchack's ...
Стр. 35
... Practice 14, 2: 343–62. Hollier, Denis (1989). Against Architecture: The Writings of Georges Bataille, trans. Betsy Wing. Cambridge, MA: MIT Press. Kahn, Coppelia (1986). ''The Absent Mother in King Lear.'' In Margaret W. Ferguson ...
... Practice 14, 2: 343–62. Hollier, Denis (1989). Against Architecture: The Writings of Georges Bataille, trans. Betsy Wing. Cambridge, MA: MIT Press. Kahn, Coppelia (1986). ''The Absent Mother in King Lear.'' In Margaret W. Ferguson ...
Содержание
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Part II Materialities Writing and Performance | 139 |
Part III Histories | 231 |
Part IV Performance Technologies Cultural Technologies | 397 |
Part V Identities of Performance | 509 |
Part VI Performing Pedagogies | 625 |
Index | 659 |
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A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2008 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |
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