A Companion to Shakespeare and Performance

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Barbara Hodgdon, W. B. Worthen
John Wiley & Sons, 15 апр. 2008 г. - Всего страниц: 704
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A Companion to Shakespeare and Performance provides a state-of-the-art engagement with the rapidly developing field of Shakespeare performance studies.

  • Redraws the boundaries of Shakespeare performance studies.

  • Considers performance in a range of media, including in print, in the classroom, in the theatre, in film, on television and video, in multimedia and digital forms.

  • Introduces important terms and contemporary areas of enquiry in Shakespeare and performance.

  • Raises questions about the dynamic interplay between Shakespearean writing and the practices of contemporary performance and performance studies.

  • Written by an international group of major scholars, teachers, and professional theatre makers.

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Стр. ix
... Ontario's 50th anniversary production of Richard III, directed at the Avon Theatre by Martha Henry Richard III (2002), the play's women look toward the tower at the end of the production's first act The Stratford Festival's Artistic ...
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In one of the finest of all British Shakespeare productions, John Barton, influenced by the work of his wife, the Shakespeare scholar ... applied Kantorowicz's thinking about Richard II to his 1973 Royal Shakespeare Company production ...
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If the body figures at all — and often it does not rate even a passing mention — it is usually conceived as the necessary physiological concomitant of voice production. Shakespeare, from this perspective, is spoken text, and the plays ...
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Predicating Project Fleet on the need to find the right venue for a production rather than fitting it to existing ... Since promenade productions would not transfer to Stratford, plans were seriously investigated either to close the ...
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Избранные страницы

Содержание

Introduction A Kind of History
1
Part I Overviews Terms of Performance
11
Part II Materialities Writing and Performance
139
Part III Histories
231
Part IV Performance Technologies Cultural Technologies
397
Part V Identities of Performance
509
Part VI Performing Pedagogies
625
Index
659
Авторские права

Другие издания - Просмотреть все

A Companion to Shakespeare and Performance
Barbara Hodgdon,W. B. Worthen
Недоступно для просмотра - 2008
A Companion to Shakespeare and Performance
Barbara Hodgdon,W. B. Worthen
Недоступно для просмотра - 2007

Часто встречающиеся слова и выражения

actors architecture argues Asian audience authentic Bianca body Cambridge cast character cinema contemporary context costume critical cues cultural Desdemona director drama early modern editors Elizabethan English experience Falstaff Festival film film’s Folio frame gender Hamlet Henry identity imagined Indian intercultural interpretation Kathakali King Lear language Lear’s London Macbeth meaning narrative offer Othello Oxford Peter Petruchio play’s political practice production production’s Quarto race reading recent recording relationship Renaissance Richard Richard III Riot Grrrl role Romeo and Juliet Rosalind Royal Shakespeare Royal Shakespeare Company scene screenplay screenplay edition script sense sexual Shake Shakespeare at Winedale Shakespeare’s Globe Shakespeare’s plays Shakespearean performance social space speak spectators speech stage Stanislavski story Stratford suggests textual theatre theatrical Theyyam Titus Titus Andronicus Titus’s tourist tradition Tranio Twelfth Night University Press voice William Shakespeare women words Worthen writing

Об авторе (2008)

Barbara Hodgdon is Professor of English at the University of Michigan and Ellis and Nelle Levitt Distinguished Professor Emerita at Drake University. Her previous publications include The End Crowns All: Closure and Contradiction in Shakespeare’s History (1991), The First Part of King Henry the Fourth: Texts and Contexts (1997), and The Shakespeare Trade: Performances and Appropriations (1998). She was guest editor for a special issue of Shakespeare Quarterly (2002) on Shakespeare films and is currently editing The Taming of the Shrew for the Arden 3 series.

W. B. Worthen is Professor and Chair of the Department of Theatre at Barnard College. He is the author of The Idea of the Actor (1984), Modern Drama and the Rhetoric of Theater (1992), Shakespeare and the Authority of Performance (1997), Shakespeare and the Force of Modern Performance (2003), and Print and the Poetics of Modern Drama (2006). He is also the editor of several volumes, including the Wadsworth Anthology of Drama.

Библиографические данные

QR code for A Companion to Shakespeare and Performance
НазваниеA Companion to Shakespeare and Performance
Blackwell Companions to Literature and Culture
РедакторыBarbara Hodgdon, W. B. Worthen
ИздательJohn Wiley & Sons, 2008
ISBN1405150238, 9781405150231
Количество страницВсего страниц: 704
  
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