A Companion to Shakespeare and PerformanceBarbara Hodgdon, W. B. Worthen John Wiley & Sons, 15 апр. 2008 г. - Всего страниц: 704 A Companion to Shakespeare and Performance provides a state-of-the-art engagement with the rapidly developing field of Shakespeare performance studies.
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Стр. xiii
... Reading the Material Theatre (2004). He is also editor of Theatre in Atlantic Canada (1985) and coeditor of Modern Drama: Defining the Field (2003) and Staging C oyote's Dream: An Anthology of First Nations Drama in English (2003). He ...
... Reading the Material Theatre (2004). He is also editor of Theatre in Atlantic Canada (1985) and coeditor of Modern Drama: Defining the Field (2003) and Staging C oyote's Dream: An Anthology of First Nations Drama in English (2003). He ...
Стр. 3
... reading bodies onstage found it useful — both critically and disciplinarily — to adopt the tools of the mastering discourse of literature: what once had been called Shakespeare's play-in-performance or a “playtext” (McGuire 1985) now ...
... reading bodies onstage found it useful — both critically and disciplinarily — to adopt the tools of the mastering discourse of literature: what once had been called Shakespeare's play-in-performance or a “playtext” (McGuire 1985) now ...
Стр. 6
Barbara Hodgdon, W. B. Worthen. prevalent notion that the performance, as a “reading” of the text, is always-already oriented toward an absent, determining, authorizing entity, and that the more emphatically it signals that reading ...
Barbara Hodgdon, W. B. Worthen. prevalent notion that the performance, as a “reading” of the text, is always-already oriented toward an absent, determining, authorizing entity, and that the more emphatically it signals that reading ...
Стр. 19
... reading of stage directions, survey maps, and extant city cartography to confirm the “original” form. Each version of the building's composition repeats an earlier conception and transforms it. Thus, at the core of both architecture and ...
... reading of stage directions, survey maps, and extant city cartography to confirm the “original” form. Each version of the building's composition repeats an earlier conception and transforms it. Thus, at the core of both architecture and ...
Стр. 36
... reading of Kantorowicz himself as well as mid-seventeenth-century political usage of the terminology, has questioned just how pervasive the idea was, the presence of the doctrine is still repeated as early modern cultural fact ...
... reading of Kantorowicz himself as well as mid-seventeenth-century political usage of the terminology, has questioned just how pervasive the idea was, the presence of the doctrine is still repeated as early modern cultural fact ...
Содержание
1 | |
11 | |
Part II Materialities Writing and Performance | 139 |
Part III Histories | 231 |
Part IV Performance Technologies Cultural Technologies | 397 |
Part V Identities of Performance | 509 |
Part VI Performing Pedagogies | 625 |
Index | 659 |
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A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2008 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |
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