A Companion to Shakespeare and PerformanceBarbara Hodgdon, W. B. Worthen John Wiley & Sons, 15 апр. 2008 г. - Всего страниц: 704 A Companion to Shakespeare and Performance provides a state-of-the-art engagement with the rapidly developing field of Shakespeare performance studies.
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Стр. 25
... role she has been playing with her suitors, her sisters, and her father, is exhausting because it requires that she defer to the words and wills of others. Listening is often a tutelage in repression, and as the youngest, “our last, and ...
... role she has been playing with her suitors, her sisters, and her father, is exhausting because it requires that she defer to the words and wills of others. Listening is often a tutelage in repression, and as the youngest, “our last, and ...
Стр. 29
... radical self-division; she sees herself playing a part in a script she cannot alter, even while she stands apart from that role, watching it divide and destroy both the kingdom and her kin. Cordelia's. King Lear and Theatre Architecture 29.
... radical self-division; she sees herself playing a part in a script she cannot alter, even while she stands apart from that role, watching it divide and destroy both the kingdom and her kin. Cordelia's. King Lear and Theatre Architecture 29.
Стр. 37
... roles (so that, for once, Bolingbroke was no longer subordinate to the star role of Richard) as an articulation of scholastic reading. The theory and production serve as a kind of prologue to my argument, marking a movement in ...
... roles (so that, for once, Bolingbroke was no longer subordinate to the star role of Richard) as an articulation of scholastic reading. The theory and production serve as a kind of prologue to my argument, marking a movement in ...
Стр. 38
... role would be. I want this justifiably famous moment of problematized connections within mainstream Shakespeare production - actor and character, body and meaning, academic and theatre - to stand as the start for a repositioning of the ...
... role would be. I want this justifiably famous moment of problematized connections within mainstream Shakespeare production - actor and character, body and meaning, academic and theatre - to stand as the start for a repositioning of the ...
Стр. 49
... role s/he plays in the institution's practice. Powerless yet visible, the actor is the visible sign of the Shakespearean corporation in practice, ostensibly feted but contractually vulnerable, desired and yet controlled. I want ...
... role s/he plays in the institution's practice. Powerless yet visible, the actor is the visible sign of the Shakespearean corporation in practice, ostensibly feted but contractually vulnerable, desired and yet controlled. I want ...
Содержание
1 | |
11 | |
Part II Materialities Writing and Performance | 139 |
Part III Histories | 231 |
Part IV Performance Technologies Cultural Technologies | 397 |
Part V Identities of Performance | 509 |
Part VI Performing Pedagogies | 625 |
Index | 659 |
Другие издания - Просмотреть все
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2008 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |
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