A Companion to Shakespeare and PerformanceBarbara Hodgdon, W. B. Worthen John Wiley & Sons, 15 апр. 2008 г. - Всего страниц: 704 A Companion to Shakespeare and Performance provides a state-of-the-art engagement with the rapidly developing field of Shakespeare performance studies.
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Стр. ix
... scene (Act 3, Scene 4) of the 2002 Stratford Festival, Ontario's 50th anniversary production of Richard III, directed at the Avon Theatre by Martha Henry Richard III (2002), the play's women look toward the tower at the end of the ...
... scene (Act 3, Scene 4) of the 2002 Stratford Festival, Ontario's 50th anniversary production of Richard III, directed at the Avon Theatre by Martha Henry Richard III (2002), the play's women look toward the tower at the end of the ...
Стр. x
... Scene 1 of Bill Alexander's 1992 production of Tke Taming of tke Skrew at the Royal Shakespeare Theatre 324 17.2 Petruchio (Jasper Britton) and Katherine (Alexandra Gilbreath) share a moment of rapport in Act 2 Scene 1 of Gregory ...
... Scene 1 of Bill Alexander's 1992 production of Tke Taming of tke Skrew at the Royal Shakespeare Theatre 324 17.2 Petruchio (Jasper Britton) and Katherine (Alexandra Gilbreath) share a moment of rapport in Act 2 Scene 1 of Gregory ...
Стр. 20
... scene in which he plays the grieving son, and a reference to the pockets of the house he will soon turn inside out. Those who seek to hide in the folds of the dark court's intimate curtains, such as Polonius, will be discovered within ...
... scene in which he plays the grieving son, and a reference to the pockets of the house he will soon turn inside out. Those who seek to hide in the folds of the dark court's intimate curtains, such as Polonius, will be discovered within ...
Стр. 31
... scene, “an insubstantial pageant," for his despairing father. Gloucester has lost his access to external sight; all ... scenes in the play occurs when Lear discovers Kent in the stocks. The stocks are a kind of architectural outline of ...
... scene, “an insubstantial pageant," for his despairing father. Gloucester has lost his access to external sight; all ... scenes in the play occurs when Lear discovers Kent in the stocks. The stocks are a kind of architectural outline of ...
Стр. 40
... scene placed a laryngoscope down his throat so that his delivery of some of the play's opening scene was accompanied by the sight of his larynx hugely magnified, projected onto a screen upstage, when the actor playing Brutus delivered ...
... scene placed a laryngoscope down his throat so that his delivery of some of the play's opening scene was accompanied by the sight of his larynx hugely magnified, projected onto a screen upstage, when the actor playing Brutus delivered ...
Содержание
1 | |
11 | |
Part II Materialities Writing and Performance | 139 |
Part III Histories | 231 |
Part IV Performance Technologies Cultural Technologies | 397 |
Part V Identities of Performance | 509 |
Part VI Performing Pedagogies | 625 |
Index | 659 |
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A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2008 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |
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