A Companion to Shakespeare and PerformanceBarbara Hodgdon, W. B. Worthen John Wiley & Sons, 15 апр. 2008 г. - Всего страниц: 704 A Companion to Shakespeare and Performance provides a state-of-the-art engagement with the rapidly developing field of Shakespeare performance studies.
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... social practice was not often found was the stage. In a related way, even those critics committed to reading bodies onstage found it useful — both critically and disciplinarily — to adopt the tools of the mastering discourse of ...
... social practice was not often found was the stage. In a related way, even those critics committed to reading bodies onstage found it useful — both critically and disciplinarily — to adopt the tools of the mastering discourse of ...
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... Social Energy in Renaissance England. Berkeley, CA: University of California Press. Hall, Stuart (1981). “Notes on Deconstructing 'The Popular'.” In Raphael Samuel (ed) People's History and Socialist Tbeory. Boston, MA: Routledge and ...
... Social Energy in Renaissance England. Berkeley, CA: University of California Press. Hall, Stuart (1981). “Notes on Deconstructing 'The Popular'.” In Raphael Samuel (ed) People's History and Socialist Tbeory. Boston, MA: Routledge and ...
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... social order and on those closest to him. Lear also is blind to the differences in his daughters. Cordelia is not the same as her older sisters, who are also not the same person, although they become less distinct as the play continues ...
... social order and on those closest to him. Lear also is blind to the differences in his daughters. Cordelia is not the same as her older sisters, who are also not the same person, although they become less distinct as the play continues ...
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... social relation. What remains radical about the dialogue initiated by Cordelia is her willingness to accept the exile brought about by her refusal to pretend that love can be scripted and staged, that it can arrive in the location it ...
... social relation. What remains radical about the dialogue initiated by Cordelia is her willingness to accept the exile brought about by her refusal to pretend that love can be scripted and staged, that it can arrive in the location it ...
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... social and historical conditions of performance demand. One extreme of this theory is the assumption, increasingly prevalent among actors, that the 1623 First Folio carries a set of secret codes, apparently placed there by Heminges and ...
... social and historical conditions of performance demand. One extreme of this theory is the assumption, increasingly prevalent among actors, that the 1623 First Folio carries a set of secret codes, apparently placed there by Heminges and ...
Содержание
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Part II Materialities Writing and Performance | 139 |
Part III Histories | 231 |
Part IV Performance Technologies Cultural Technologies | 397 |
Part V Identities of Performance | 509 |
Part VI Performing Pedagogies | 625 |
Index | 659 |
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A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2008 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |
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