A Companion to Shakespeare and PerformanceBarbara Hodgdon, W. B. Worthen John Wiley & Sons, 15 апр. 2008 г. - Всего страниц: 704 A Companion to Shakespeare and Performance provides a state-of-the-art engagement with the rapidly developing field of Shakespeare performance studies.
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Стр. vii
... Space/Tragic Space: Julie Taymor's Titus 457 Petey S. DOflflldJ'Ofl 25 Shakespeare Stiles Style: Shakespeare, Julia Stiles, and American Girl Culture 478 Elizabeth A. Deitenmnn 26 Shakespeare on Vacation 494 Susan Bennett Part V ...
... Space/Tragic Space: Julie Taymor's Titus 457 Petey S. DOflflldJ'Ofl 25 Shakespeare Stiles Style: Shakespeare, Julia Stiles, and American Girl Culture 478 Elizabeth A. Deitenmnn 26 Shakespeare on Vacation 494 Susan Bennett Part V ...
Стр. 6
... space actually represent a simulacrum of “the real thing?” Whether one sides with those who view the space more as theme park or historical reenactment than theatre and see “original practices” productions as more invested in theatre ...
... space actually represent a simulacrum of “the real thing?” Whether one sides with those who view the space more as theme park or historical reenactment than theatre and see “original practices” productions as more invested in theatre ...
Стр. 7
... space”), it gestures away from Shakespeare's text toward performance as labor, work, play — as a provisional process. Outsides and insides. The essays collected here decisively mark a move from the essentializing orthodoxy of ...
... space”), it gestures away from Shakespeare's text toward performance as labor, work, play — as a provisional process. Outsides and insides. The essays collected here decisively mark a move from the essentializing orthodoxy of ...
Стр. 15
... space, to arrange material so that a particular place gains form, and from that form, meaning and aesthetic or utilitarian purpose. But at its best, theatre aspires to expose the formlessness lurking within and beyond the temporary ...
... space, to arrange material so that a particular place gains form, and from that form, meaning and aesthetic or utilitarian purpose. But at its best, theatre aspires to expose the formlessness lurking within and beyond the temporary ...
Стр. 16
... space to explore being out of place, to inhabit, however fleetingly, a kind of no-place. In this desire, theatre ... space, indeed, sometimes into a kind of no-space. Prospero's final speech in Tbe Tempest: Our revels now are ended ...
... space to explore being out of place, to inhabit, however fleetingly, a kind of no-place. In this desire, theatre ... space, indeed, sometimes into a kind of no-space. Prospero's final speech in Tbe Tempest: Our revels now are ended ...
Содержание
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Part II Materialities Writing and Performance | 139 |
Part III Histories | 231 |
Part IV Performance Technologies Cultural Technologies | 397 |
Part V Identities of Performance | 509 |
Part VI Performing Pedagogies | 625 |
Index | 659 |
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A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2008 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |
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