A Companion to Shakespeare and PerformanceBarbara Hodgdon, W. B. Worthen John Wiley & Sons, 15 апр. 2008 г. - Всего страниц: 704 A Companion to Shakespeare and Performance provides a state-of-the-art engagement with the rapidly developing field of Shakespeare performance studies.
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... theatrical dimension" (1979). The (unspoken) ideal (it was not, as yet, an ideology) of this stage-centered critical practice had to do with attempting to discern Shakespeare's “intentions,” with revealing the theatrical strategies ...
... theatrical dimension" (1979). The (unspoken) ideal (it was not, as yet, an ideology) of this stage-centered critical practice had to do with attempting to discern Shakespeare's “intentions,” with revealing the theatrical strategies ...
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... theatrical space, a place that relies on a double sense of ground. The ground of the material stage and the ground reserved for the spectatorial “groundlings” invoke the earlier grounds of the historical Globe. This sense of being in ...
... theatrical space, a place that relies on a double sense of ground. The ground of the material stage and the ground reserved for the spectatorial “groundlings” invoke the earlier grounds of the historical Globe. This sense of being in ...
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... theatrical, and mortal. Reconstructing theatrical architecture necessarily underlines the loss of the original version. In this underlining, theatrical architecture registers, in its very boards, a return to form that also announces its ...
... theatrical, and mortal. Reconstructing theatrical architecture necessarily underlines the loss of the original version. In this underlining, theatrical architecture registers, in its very boards, a return to form that also announces its ...
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... Theatrical architecture resists fixity and provides another vantage point from which to consider our relationship to “the promised end.” Architecture as Discovery The living history of the reconstructed Globe reminds us that buildings ...
... Theatrical architecture resists fixity and provides another vantage point from which to consider our relationship to “the promised end.” Architecture as Discovery The living history of the reconstructed Globe reminds us that buildings ...
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... theatrical architecture's contribution to “the secret psychological life” has to do with the way it returns us to the same set/ting, even while it shows us different scenes in the same space. (It was Laplanche and Pontalis who ...
... theatrical architecture's contribution to “the secret psychological life” has to do with the way it returns us to the same set/ting, even while it shows us different scenes in the same space. (It was Laplanche and Pontalis who ...
Содержание
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Part II Materialities Writing and Performance | 139 |
Part III Histories | 231 |
Part IV Performance Technologies Cultural Technologies | 397 |
Part V Identities of Performance | 509 |
Part VI Performing Pedagogies | 625 |
Index | 659 |
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A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2008 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |
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