A Companion to Shakespeare and PerformanceBarbara Hodgdon, W. B. Worthen John Wiley & Sons, 15 апр. 2008 г. - Всего страниц: 704 A Companion to Shakespeare and Performance provides a state-of-the-art engagement with the rapidly developing field of Shakespeare performance studies.
|
Результаты поиска по книге
Результаты 1 – 5 из 81
Стр. xi
... traditional and non-traditional theatre settings. “Shakespeare on Vacation” is one of a series of essays she has written on the subject of theatre and tourism. James C. Bulman is Henry B. and Patricia Bush Tippie Chair of English at ...
... traditional and non-traditional theatre settings. “Shakespeare on Vacation” is one of a series of essays she has written on the subject of theatre and tourism. James C. Bulman is Henry B. and Patricia Bush Tippie Chair of English at ...
Стр. 5
... traditions, forms and styles in order to keep going, but where did alterity see its own reflection in such criss-crossing networks of cultural exchange? Although the push to configure such performances in terms of “old" textual ...
... traditions, forms and styles in order to keep going, but where did alterity see its own reflection in such criss-crossing networks of cultural exchange? Although the push to configure such performances in terms of “old" textual ...
Стр. 7
... traditions, or exploring key issues animating the field, these contributors bring a freshened awareness of the processes of writing and representing critical history. Acknowledging their intimate relation to performance as a subject of ...
... traditions, or exploring key issues animating the field, these contributors bring a freshened awareness of the processes of writing and representing critical history. Acknowledging their intimate relation to performance as a subject of ...
Стр. 17
... tradition of the itinerant actor and enable actors to become Gentlemen, the King's Servants or the Queen's Men, as Orgel points out, but it also initiated a particular kind of reconstruction. Between 1567 and 1614, some 11 or 12 ...
... tradition of the itinerant actor and enable actors to become Gentlemen, the King's Servants or the Queen's Men, as Orgel points out, but it also initiated a particular kind of reconstruction. Between 1567 and 1614, some 11 or 12 ...
Стр. 43
... traditional Stanislavskian actor-training. Significantly, as I have argued, Stanislavskian theatre is fundamentally incompatible with the forms of Shakespearean theatre because of its assumptions about the nature of realist character ...
... traditional Stanislavskian actor-training. Significantly, as I have argued, Stanislavskian theatre is fundamentally incompatible with the forms of Shakespearean theatre because of its assumptions about the nature of realist character ...
Содержание
1 | |
11 | |
Part II Materialities Writing and Performance | 139 |
Part III Histories | 231 |
Part IV Performance Technologies Cultural Technologies | 397 |
Part V Identities of Performance | 509 |
Part VI Performing Pedagogies | 625 |
Index | 659 |
Другие издания - Просмотреть все
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2008 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |
Часто встречающиеся слова и выражения
actors architecture argues Asian audience authentic Bianca body Cambridge cast character cinema contemporary context costume critical cues cultural Desdemona director drama early modern editors Elizabethan English experience Falstaff Festival film film’s Folio frame gender Hamlet Henry identity imagined Indian intercultural interpretation Kathakali King Lear language Lear’s London Macbeth meaning narrative offer Othello Oxford Peter Petruchio play’s political practice production production’s Quarto race reading recent recording relationship Renaissance Richard Richard III Riot Grrrl role Romeo and Juliet Rosalind Royal Shakespeare Royal Shakespeare Company scene screenplay screenplay edition script sense sexual Shake Shakespeare at Winedale Shakespeare’s Globe Shakespeare’s plays Shakespearean performance social space speak spectators speech stage Stanislavski story Stratford suggests textual theatre theatrical Theyyam Titus Titus Andronicus Titus’s tourist tradition Tranio Twelfth Night University Press voice William Shakespeare women words Worthen writing