A Companion to Shakespeare and PerformanceBarbara Hodgdon, W. B. Worthen John Wiley & Sons, 15 апр. 2008 г. - Всего страниц: 704 A Companion to Shakespeare and Performance provides a state-of-the-art engagement with the rapidly developing field of Shakespeare performance studies.
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Стр. xiv
... Voices: Sbakespeare's Women Today (1988), Tbe Documents of tbe Rose Playbouse (1999), and Enter tbe Body: Women and Representation on Sbakespeare's Stage (2001). She has written the Introduction to the new series Penguin Macbetb (2005) ...
... Voices: Sbakespeare's Women Today (1988), Tbe Documents of tbe Rose Playbouse (1999), and Enter tbe Body: Women and Representation on Sbakespeare's Stage (2001). She has written the Introduction to the new series Penguin Macbetb (2005) ...
Стр. 1
... voices represented here constitute a “beginning again” — a double witnessing that, while courting continuities between past and present, seeks to reshape critical practices, critical re-performances. Act 1 It has become de rigueur in ...
... voices represented here constitute a “beginning again” — a double witnessing that, while courting continuities between past and present, seeks to reshape critical practices, critical re-performances. Act 1 It has become de rigueur in ...
Стр. 6
... voices and, perhaps most significantly, to how close encounters between onstage and offstage performers and performances, blurring boundaries between stage and world, affirmed the relationship of actor to audience as central to the ...
... voices and, perhaps most significantly, to how close encounters between onstage and offstage performers and performances, blurring boundaries between stage and world, affirmed the relationship of actor to audience as central to the ...
Стр. 7
... voices represented here do not confine themselves to or within those areas but constitute contributions to an ongoing conversation. Whether sampling, scrolling, covering or reframing past conversations, shifting vocabularies and ...
... voices represented here do not confine themselves to or within those areas but constitute contributions to an ongoing conversation. Whether sampling, scrolling, covering or reframing past conversations, shifting vocabularies and ...
Стр. 28
... voice. (The Fool and Kent do their best, but Lear is looking for Cordelia's love.) Lear, having lost Cordelia, becomes unmoored from the psychological and political coherence that social and linguistic address offers. Love's essential ...
... voice. (The Fool and Kent do their best, but Lear is looking for Cordelia's love.) Lear, having lost Cordelia, becomes unmoored from the psychological and political coherence that social and linguistic address offers. Love's essential ...
Содержание
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11 | |
Part II Materialities Writing and Performance | 139 |
Part III Histories | 231 |
Part IV Performance Technologies Cultural Technologies | 397 |
Part V Identities of Performance | 509 |
Part VI Performing Pedagogies | 625 |
Index | 659 |
Другие издания - Просмотреть все
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2008 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |
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actors architecture argues Asian audience authentic Bianca body Cambridge cast character cinema contemporary context costume critical cues cultural Desdemona director drama early modern editors Elizabethan English experience Falstaff Festival film film’s Folio frame gender Hamlet Henry identity imagined Indian intercultural interpretation Kathakali King Lear language Lear’s London Macbeth meaning narrative offer Othello Oxford Peter Petruchio play’s political practice production production’s Quarto race reading recent recording relationship Renaissance Richard Richard III Riot Grrrl role Romeo and Juliet Rosalind Royal Shakespeare Royal Shakespeare Company scene screenplay screenplay edition script sense sexual Shake Shakespeare at Winedale Shakespeare’s Globe Shakespeare’s plays Shakespearean performance social space speak spectators speech stage Stanislavski story Stratford suggests textual theatre theatrical Theyyam Titus Titus Andronicus Titus’s tourist tradition Tranio Twelfth Night University Press voice William Shakespeare women words Worthen writing