A Companion to Shakespeare and Performance

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Barbara Hodgdon, W. B. Worthen
John Wiley & Sons, 15 апр. 2008 г. - Всего страниц: 704
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A Companion to Shakespeare and Performance provides a state-of-the-art engagement with the rapidly developing field of Shakespeare performance studies.

  • Redraws the boundaries of Shakespeare performance studies.
  • Considers performance in a range of media, including in print, in the classroom, in the theatre, in film, on television and video, in multimedia and digital forms.
  • Introduces important terms and contemporary areas of enquiry in Shakespeare and performance.
  • Raises questions about the dynamic interplay between Shakespearean writing and the practices of contemporary performance and performance studies.
  • Written by an international group of major scholars, teachers, and professional theatre makers.

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Стр. 24
His first two daughters, who are already married and have already received their inheritance, respond to Lear's empty ceremony by stuffing that emptiness with words, elaborate promises, and other highly inflated rhetoric.
Стр. 25
This posture of silence, a role she has been playing with her suitors, her sisters, and her father, is exhausting because it requires that she defer to the words and wills of others. Listening is often a tutelage in repression, ...
Стр. 40
Even at the point where they move from, in their words, “the technical aspects of Shakespeare's text” to “acting the text” (2001: 119), their analysis of the body in motion is restricted only to noting that at some point in the balcony ...
Стр. 48
In this chapter - in Tina's own words - she gives us her views on the subject" (2000: 117). Packer's voice is constricted here by Whitney as completely as she in turn constricts Gertrude's: her views are apparently not his in this ...
Стр. 58
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Избранные страницы

Содержание

Introduction A Kind of History
1
Part I Overviews Terms of Performance
11
Part II Materialities Writing and Performance
139
Part III Histories
231
Part IV Performance Technologies Cultural Technologies
397
Part V Identities of Performance
509
Part VI Performing Pedagogies
625
Index
659
Авторские права

Другие издания - Просмотреть все

A Companion to Shakespeare and Performance
Barbara Hodgdon,W. B. Worthen
Недоступно для просмотра - 2008
A Companion to Shakespeare and Performance
Barbara Hodgdon,W. B. Worthen
Недоступно для просмотра - 2007

Часто встречающиеся слова и выражения

actors architecture argues Asian audience authentic Bianca body Cambridge cast character cinema contemporary context costume critical cues cultural Desdemona director drama early modern editors Elizabethan English experience Falstaff Festival film film’s Folio frame gender Hamlet Henry identity imagined Indian intercultural interpretation Kathakali King Lear language Lear’s London Macbeth meaning narrative offer Othello Oxford Peter Petruchio play’s political practice production production’s Quarto race reading recent recording relationship Renaissance Richard Richard III Riot Grrrl role Romeo and Juliet Rosalind Royal Shakespeare Royal Shakespeare Company scene screenplay screenplay edition script sense sexual Shake Shakespeare at Winedale Shakespeare’s Globe Shakespeare’s plays Shakespearean performance social space speak spectators speech stage Stanislavski story Stratford suggests textual theatre theatrical Theyyam Titus Titus Andronicus Titus’s tourist tradition Tranio Twelfth Night University Press voice William Shakespeare women words Worthen writing

Об авторе (2008)

Barbara Hodgdon is Professor of English at the University of Michigan and Ellis and Nelle Levitt Distinguished Professor Emerita at Drake University. Her previous publications include The End Crowns All: Closure and Contradiction in Shakespeare’s History (1991), The First Part of King Henry the Fourth: Texts and Contexts (1997), and The Shakespeare Trade: Performances and Appropriations (1998). She was guest editor for a special issue of Shakespeare Quarterly (2002) on Shakespeare films and is currently editing The Taming of the Shrew for the Arden 3 series.

W. B. Worthen is Professor and Chair of the Department of Theatre at Barnard College. He is the author of The Idea of the Actor (1984), Modern Drama and the Rhetoric of Theater (1992), Shakespeare and the Authority of Performance (1997), Shakespeare and the Force of Modern Performance (2003), and Print and the Poetics of Modern Drama (2006). He is also the editor of several volumes, including the Wadsworth Anthology of Drama.

Библиографические данные

QR code for A Companion to Shakespeare and Performance
НазваниеA Companion to Shakespeare and Performance
Blackwell Companions to Literature and Culture
РедакторыBarbara Hodgdon, W. B. Worthen
ИздательJohn Wiley & Sons, 2008
ISBN1405150238, 9781405150231
Количество страницВсего страниц: 704
  
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