XLII.

Italia! oh Italia! thou who hast (22) The fatal gift of beauty, which became A funeral dower of present woes and past, On thy sweet brow is sorrow plough'd by shame, And annals graved in characters of flame. Oh God! that thou wert in thy nakedness Less lovely or more powerful, and could'st claim Thy right, and awe the robbers back, who press To shed thy blood, and drink the tears of thy distress;

XLIII.

Then might'st thou more appal; or, less desired,
Be homely and be peaceful, undeplored

For thy destructive charms; then, still untired,
Would not be seen the armed torrents pour'd
Down the deep Alps; nor would the hostile horde
Of many nation'd spoiler's from the Po
Quaff blood and water; nor the stranger's sword
Be thy sad weapon of defence, and so,

Victor or vanquish'd, thou the slave of friend or foe.

XLIV.

Wandering in youth, I traced the path of him, (23)

The Roman friend of Rome's least-mortal mind,
The friend of Tully: as my bark did skim
The bright blue waters with a fanning wind,
Came Megara before me, and behind
Ægina lay, Piræus on the right,

And Corinth on the left; I lay reclined

Along the prow, and saw all these unite

In ruin, even as he had seen the desolate sight;

VOL, I.--N

XLV.

For Time hath not rebuilt them, but uprear'd Barbaric dwellings on their shattered site, Which only make more mourn'd and more endear'd

The few last rays of their far-scatter'd light, And the crush'd relics of their vanish'd might. The Roman saw these tombs in his own age, These sepulchres of cities, which excite Sad wonder, and his yet surviving page The moral lesson bears, drawn from such pilgrimage.

XLVI..

That page is now before me, and on mine
His country's ruin added to the mass

Of perish'd states he mourn'd in their decline,
And I in desolation: all that was

Of then destruction is; and now, alas!

Rome Rome imperial, bows her to the storm, In the same dust and blackness, and we pass The skeleton of her Titanic form, (24)

Wrecks of another world, whose ashes still are

warm.

XLVII.

Yet, Italy! through every other land

Thy wrongs should ring, and shall, from side to

side;

Mother of Arts! as once of arms; thy hand Was then our guardian, and is still our guide; Parent of our Religion! whom the wide Nations have knelt to for the keys of heaven! Europe, repentant of her parricide,

Shall yet redeem thee, and, all backward driven, Roll the barbarian tide, and sue to be forgiven.

LXVIII.

But Arno wins us to the fair white walls,
Where the Etrurian Athens claims and keeps
A softer feeling for her fairy halls.
Girt by her theatre of hills, she reaps

Her corn, and wine, and oil, and Plenty leaps To laughing life, with her redundant horn. Along the banks where smiling Arno sweeps Was modern Luxury of commerce born, And buried Learning rose, redeem'd to a new morn.

XLIX.

There, too, the Goddess loves in stone, and fills

(25)

The air around with beauty; we inhale

The ambrosial aspect, which, beheld, instils
Part of its immortality; the veil

Of heaven is half undrawn; within the pale

We stand, and in that form and face behold What Mind can make, when Nature's self would

fail;

And to the fond idolaters of old

Envy the innate flash which such a soul could mould:

L.

We gaze and turn away, and know not where, Dazzled and drunk with beauty, till the heart Reels with its fulness; there for ever there-Chain'd to the chariot of triumphal Art, We stand as captives, and would not depart. Away!-there need no words, nor terms precise, The paltry jargon of the marble mart, Where Pedantry gulls Folly--we have eyes: Blood-pulse-and breast, confirm the Dardan Shepherd's prize.

LI.

Appear❜dst thou not to Paris in this guise?
Or to more deeply blest Anchisis? or,
In all thy perfect goddess-ship, when lies
Before thee thy own vanquish'd Lord of War?
And gazing in thy face as toward a star,
Laid on thy lap, his eyes to thee upturn,
Feeding on thy sweet cheek! (26) while thy lips

are

With lava kisses melting while they burn, Shower'd on his eyelids, brow, and mouth, as from an urn!

LII.

Glowing, and circumfused in speechless love,
Their full divinity inadequate

That feeling to express, or to improve,
The gods become as mortals, and man's fate
Has moments like their brightest ; but the weight
Of earth recoils upon us ;-let it go!

We can recal such visions and create,

From what has been, or might be, things which

grow

Into thy statue's form, and look like gods below.

LUI.

I leave to learned fingers and wise hands,
The artist and his ape, to teach and tell
How well his connoisseurship understands
The graceful bend, and the voluptuous swell:
Let these describe the undescribable:

I would not their vile breath should crisp the

stream

Wherein that image shall for ever dwell;

The unruffled mirror of the loveliest dream

That ever left the sky on the deep soul to beam.

LIV.

In Santa Croce's holy precincts lie (27)
Ashes which make it holier, dust which is
Even in itself an immortality,

Though there were nothing save the past, and this,

The particle of those sublimities

Which have relapsed to chaos :-here repose
Angelo's, Alfieri's bones, and his, (28)

The starry Galileo, with his woes ;

Here Machiavelli's earth, return'd to whence it rose. (29)

ᏞᏙ.

These are four minds, which, like the elements, Might furnish forth creation :-Italy!

Time, which hath wrong'd thee with ten thousand rents

Of thine imperial garment, shall deny,
And hath denied, to every other sky,
Spirits which soar from ruin :-thy decay
Is still impregnate with divinity,
Which guilds it with revivifying ray;
Such as the great of yore, Canova is to-day.

LVI.

But where repose the all Etruscan threeDante, and Petrarch, and, scarce less than they, The Bard of Prose, creative spirit! he

Of the Hundred Tales of love-where did they lay

Their bones, distinguish'd from our common clay In death as life? Are they resolved to dust,

And have their country's marbles nought to say? Could not her quarries furnish forth one bust? Did they not to her breast their filial earth entrust?