All theories of trance based on cerebral anatomy or physiology - such as suspension of the activity of the cortex, or half the - break down at once when brought face to face with the brain facts."1 All the facts of hypnotism show that the more quiescent the objective faculties become, or, in other words, the more perfectly the functions of the brain are suspended, the more exalted are the manifestations of the subjective mind. Indeed, the whole history of subjective phenomena goes to show that the nearer the body approaches the condition of death, the stronger become the demonstrations of the powers of the soul. The irresistible inference is that when the soul is freed entirely from its trammels of flesh, its powers will attain perfection, its memory will be absolute. Of this more will be said in its proper place. In the mean time, it may be proper here to remark that subjective memory appears to be the only kind or quality of memory which deserves that appellation; it is the only memory which is absolute. The memory of the objective mind, comparatively speaking, is more properly designated as recollection. The distinction here sought to be made can be formulated in no better language than that employed by Locke in defining the scope and meaning of the two words: "When an idea again recurs without the operation of the like object on the external sensory, it is remembrance; if it be sought after by the mind, and with pain and endeavor found, and brought again into view, it is recollection." 1 Nature and Phenomena of Trance (" Hypnotism" or "Somnambulism"), p. 6. 2 Essays Concerning Human Understanding, vol. i. p. 213. Practical Illustrations. Reasons for Limitations of Subjective Power. Its Practical Significance. - Its Application to the Solution of Problems of Insanity. The Mental Phenomena of "Genius.". Napoleon Bonaparte. Artists. Macaulay's Estimate of Poets and Poetry. - Dangers of Subjective Control. Lord Byron. Socrates' Estimate of Shakspeare. Poets. Poets. His Recognition of the Subjective Element in Poetic Composition. - Occasional Inconveniences. · Unconscious Pla giarism. Observations of Holmes. - Improvisation. Solution of the Shakspeare-Bacon Problem. The Subjective in Art. Madness in Art. Great Orators.-Webster. Clay. - Patrick Henry. Incidents. - Practical Conclusions. IT is thought that the facts related in the preceding chap ter are sufficient to demonstrate the substantial correctness of the proposition that the memory of the subjective mind is practically perfect. Before leaving this branch of the subject, however, and proceeding to detail other peculiarities which distinguish the two minds, it is deemed proper to offer a few practical illustrations of the principles involved, drawn from common observation, and incidentally to apply those principles to the solution of various problems of every-day experience. It will be remembered that thus far we have confined our observations to the operations of the subjective mind when the subject is in a diseased or in a deeply hypnotic condition, with the objective senses in complete abeyance. This has been done for the purpose of more clearly illustrating the fundamental propositions. The phenomena of purely subjective mental action, are, however, of little practical importance to mankind when compared with the action of the subjective mind modified by the co-ordinate power of the objective intelligence. It is not to be supposed that an All-wise Providence has placed within the human frame a separate entity, endowed with such wonderful powers as we have seen that it possesses, and hedged about by the limitations with which we know it to be environed, without so ordaining its relations with man's objective intelligence as to render it of practical value to the human race in its struggle with its physical environment. It might at first glance seem incongruous to suppose that the subjective mind could be at once the storehouse of memory and the source of inspiration, limited as to its methods and powers of reasoning, and at the same time subject to the imperial control of the objective mind. A moment's reflection, however, will show that in the very nature of things it must necessarily be true. "A house divided against itself cannot stand." a controlling power in every well-regulated household, municipality, nation, or organism. There is a positive and a negative force in the greatest physical power known to mankind. There is a male and a female element in every race and order of created organisms; and those philosophers who hold that there appertain to every man a male and a female element have dimly recognized the duality of man's mental organization. There must be Why it is that the objective mind has been invested with the controlling influence, limited as are its resources and feeble as are its powers, is a question upon which it would be idle to speculate. It profits us only to know the fact and to study its practical significance, without wasting our energies in seeking to know the ultimate cause. We may rest assured that in this, as in all other laws of Nature, we shall find infinite wisdom. If any one doubts the wisdom of investing the objective mind with the controlling power in the dual organization, let him visit a madhouse. There he will see all shades and degrees of subjective control. There he will see men whose objective minds have completely abdicated the throne, and whose subjective minds are in pursuit of one idea, controlled by one dominant impression, which sub- the ordinates all others. These are the monomaniacs, · victims of false suggestions. These suggestions may be given from without, in a thousand different ways which will be readily recognized by the student of insanity, or by auto-suggestion. Long and intense concentration of mind upon one subject, and inordinate egotism, will be readily recognized as striking illustrations of the power of autoThe maniac is one suggestion as a factor in monomania. whose objective mind is disorganized by disease of its organ, the brain; the result being distortion of objective impressions, and consequent false suggestions to the subjective mind. Those who study the subject from this standpoint will find an easy solution to many an obscure problem. The subject is here adverted to merely to show the consequences arising from allowing the subjective mind to usurp complete control of the mental organization. It will be readily seen that human society, outside of lunatic asylums, constantly furnishes numerous examples of abnormal subjective control. So generally is this fact recognized that it has passed into a proverb that "every man is insane on some subject." The question arises, What part does the subjective mind play in the normal operation of the human intellect? This question may be answered in a general way by saying that the most perfect exhibition of intellectual power is the result of the synchronous action of the objective and subjective minds. When this is seen in its perfection the world names it genius. In this condition the individual has the benefit of all the reasoning powers of the objective mind, combined with the perfect memory of the subjective mind and its marvellous power of syllogistic arrangement of its resources. In short, all the elements of intellectual power are then in a state of intense and harmonious activity. This condition may be perfectly normal, though it is rarely seen in its perfection. Probably the most striking examples which history affords were Napoleon Bonaparte and Shakspeare. The intelligent student of the history of their lives and work will not fail to recall a thousand incidents which illustrate the truth of this proposition. True genius is undoubtedly the result of the synchronous action of the two minds, neither unduly predominating or usurping the powers and functions of the other. When the subjective is allowed to dominate, the resultant acts of the individual are denominated "the eccentricities of genius." When the subjective usurps complete control, the individual goes insane. There are certain classes of persons whose intellectual labors are characterized by subjective activity in a very marked degree. Poets and artists are the most conspicuous examples. So marked is the peculiarity of the poetic mind in this respect that it has become almost proverbial. Lord Macaulay, in his Essay on Milton, uses language which shows that he clearly recognized the subjective element in all true poetry. He says: "Perhaps no man can be a poet, or can even enjoy poetry, without a certain unsoundness of mind, — if anything which gives so much pleasure ought to be called unsoundness. By poetry we mean not, of course, all writing in verse, nor even all good writing in verse. Our definition excludes many metrical compositions which on other grounds deserve the highest praise. By poetry we mean the art of employing words in such a manner as to produce an illusion on the imagination; the art of doing by means of words what the painter does by means of colors. Thus the greatest of poets has described it, in lines universally admired for the vigor and felicity of their diction, and still more valuable on account of the just notion which they convey of the art in which he excelled. "As imagination bodies forth The forms of things unknown, the poet's pen |