Theory of Drama: A Comparative Study of Aristotle and BharataClassical Publishing Company, 1992 - 296 էջ |
From inside the book
Արդյունքներ 24–ի 1-ից 3-ը:
Էջ 10
... five stages of the Action , five elements of the plot , its five segments and the five Explanatory Devices . Chapter XXII gives an account of four kinds of vṛttis ( styles of expression ) . Bharata deals with the āhārya abhinava i.e. ...
... five stages of the Action , five elements of the plot , its five segments and the five Explanatory Devices . Chapter XXII gives an account of four kinds of vṛttis ( styles of expression ) . Bharata deals with the āhārya abhinava i.e. ...
Էջ 142
... five elements of the plot and the five stages of plot - deve- lopment combine respectively and form the five junctures ( Sand- his ) such as the Opening ( mukha ) , the Progression ( pratimukha the Development ( garbha ) , the pause ...
... five elements of the plot and the five stages of plot - deve- lopment combine respectively and form the five junctures ( Sand- his ) such as the Opening ( mukha ) , the Progression ( pratimukha the Development ( garbha ) , the pause ...
Էջ 148
... five elements of plot , five stages of plot - development and the five junctures in order to maintain unity and coherence in drama . The independent and outward circumstance is known as arthaprakṛiti , the voluntary action of the hero ...
... five elements of plot , five stages of plot - development and the five junctures in order to maintain unity and coherence in drama . The independent and outward circumstance is known as arthaprakṛiti , the voluntary action of the hero ...
Բովանդակություն
CHAPTER II | 9 |
CHAPTER III | 27 |
Function of Drama | 42 |
Հեղինակային իրավունք | |
6 այլ բաժինները չեն ցուցադրվում
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Common terms and phrases
Abhijñānaśākuntalam Abhinavagupta action actor Aeschylus aesthetic anagnorisis anubhava Aristophanes Aristotelian Aristotle and Bharata Aristotle considers Aristotle's Poetics aroused Bharata defines bhāvas bindu catharsis chapter concept critics Delhi Dhanamjaya discusses dramatist Dramaturgy Duryodhana Duşyanta Elder Olson elements emotions epic epic poetry episodes Euripides example feel follows Ghosh gives Greek hamartia Hamlet happy ending Hardison hero heroine human Ibid incidents Indian infact Iphigenia junctures kind king language literary London means metaphor Nāṭaka nature object of imitation Oedipus opinion pity and fear Plato playwright pleasure plot poet Poetics Aristotle poetry points Prahasana Prakaraṇa proper Psychological Rāma rasa realisation recognition refers rightly S.H. Butcher sandhis Sanskrit Drama Sanskrit plays says Scene sense Sentiment Shakespeare's Sophocles spectator speech stage sthāyibhāva structure suffering suggests Sylvain Levi term theorists theory of catharsis theory of rasa tion tragedy and comedy trans types of drama unity Varanasi vibhāva Vithi whereas words