An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1839 - 300 էջ |
From inside the book
Արդյունքներ 62–ի 1-ից 3-ը:
Էջ 53
... figure for the doors and windows of a dwelling - house is preferred , because of utility ; and here the beauty of utility pre- vails over that of regularity and uniformity . A parallelogram again depends , for its beauty , on the ...
... figure for the doors and windows of a dwelling - house is preferred , because of utility ; and here the beauty of utility pre- vails over that of regularity and uniformity . A parallelogram again depends , for its beauty , on the ...
Էջ 202
... figure of speech in which the means or instrument is conceived to be the agent . SECTION V. A Figure which , among related objects , ex- tends the properties of one to another . This figure is not dignified with a proper name , be ...
... figure of speech in which the means or instrument is conceived to be the agent . SECTION V. A Figure which , among related objects , ex- tends the properties of one to another . This figure is not dignified with a proper name , be ...
Էջ 284
... figure , without regarding any other proportion : they are accordingly the same in large and in small buildings ... figure to be destined for a dwelling - house , to make way for relative beauty , we immediately perceive that utility ...
... figure , without regarding any other proportion : they are accordingly the same in large and in small buildings ... figure to be destined for a dwelling - house , to make way for relative beauty , we immediately perceive that utility ...
Բովանդակություն
Association of Ideas | 11 |
Emotions and Passions as pleasant and painful | 31 |
Resemblance of Emotions to their causes | 45 |
11 այլ բաժինները չեն ցուցադրվում
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Common terms and phrases
accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression external Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers